Results 31 to 40 of about 98 (86)
Depoliticization, Colonialism, and the Imperative to Disrupt Denial Comment on "The Rhetoric of Decolonizing Global Health Fails to Address the Reality of Settler Colonialism: Gaza as a Case in Point". [PDF]
Int J Health Policy ManagOrr Z, Zielinska AC.
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Shoah, de Claude Lanzmann : recherches contemporaines
Calenda, 2010 Shoah (1985), le film de Claude Lanzmann, s’est imposé comme un film-clef dans le champ cinématographique et au-delà, suscitant de nombreux travaux aussi bien en étude cinématographique qu’en histoire, en philosophie, en pédagogie, en psychologie, etc. Vingt-cinq ans après sa sortie en salle, qu’en est-il des nouvelles recherches sur cet objet ? Afin d’
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Polin: Studies in Polish Jewry, 2021
This chapter provides the obituary for Claude Lanzmann, who has died in Paris at the age of 92 and was considered one of the great documentary film-makers of the late twentieth and early twenty-first centuries. It talks about Lanzmann's best known revolutionary masterpiece Shoah, which is a nine-and-a-half-hour film that based on interviews conducted ...
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This chapter provides the obituary for Claude Lanzmann, who has died in Paris at the age of 92 and was considered one of the great documentary film-makers of the late twentieth and early twenty-first centuries. It talks about Lanzmann's best known revolutionary masterpiece Shoah, which is a nine-and-a-half-hour film that based on interviews conducted ...
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Claude Lanzmann: Duration and Gravitas
Experimental Film and Artists' Moving Image, 2022Walsh Michael
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Claude Lanzmann’s Einsatzgruppen Interviews
Holocaust Studies, 2011This essay explores the interviews that Claude Lanzmann secretly recorded with two former members of the wartime Einsatzgruppen, preserved in the archive of outtake material from his 1985 film Shoah. The Einsatzgruppen, who undertook mass shootings in the occupied Soviet Union, are a category of perpetrator Lanzmann has often been criticised for ...
Sue Vice
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Claude Lanzmann’s The Four Sisters (2017) on Television
VIEW Journal of European Television History and Culture, 2021 This article analyses Claude Lanzmann’s final work, The Four Sisters (2017), in the context of its being edited from the outtakes of Shoah (1985) for broadcast on the Arte television channel. It argues that the distinctive features of the film, including its form as a quartet of self-contained interviews, absence of location footage and reliance on ...
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