Results 21 to 30 of about 1,081,705 (116)
Bystanders’ Images of the Holocaust
Miejsce, 2020 The article is related to the visual objects produced by so-called bystanders (eyewitnesses) during the Holocaust and afterwards. Do these materials become a gesture of testimony? And if yes, when, in what circumstances, and on what conditions?
Roma Sendyka
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Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2016 Claude Lanzmann's documentary film The Last of the Unjust (2013) addresses philosophical and ethical aspects of survival in the Theresienstadt ghetto under the last Jewish Elder, Benjamin Murmelstein (1906-89).
Gertrud Koch
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Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG, 2010 En base al análisis semiótico de un episodio del documental Shoah, de Claude Lanzmann, el presente texto se plantea un problema derivado de la acción indicial de los signos.
Fernando Andacht
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Naked, Deformed, Violated Body. A Montage in the Histoire(s) du cinema of Jean-Luc Godard
Scienza & Politica, 2013 The article analyses Histoire(s) du cinéma (1988-1998), a cinematic essay by Jean-Luc Godard, and in particular it focuses on the controversial montage in which the French director aligns extracts from a pornographic film, Tod Browning’s Freaks, and ...
Alberto Brodesco
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Arresting images: inhabiting the Nazi archive in Yael Hersonski’s a film unfinished
Diffractions, 2014 The filmic appropriation of archival imagery has become pivotal within the new archival economy of memory. What is particularly striking about this transnational trend is that more than a reproduction of images of the past for illustrative purposes, at ...
Daniela Agostinho
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Poznańskie Studia Polonistyczne. Seria Literacka, 2015 The principal notion of the article–a “backward catastrophe”– stands for a catastrophe which occurs unseen until it becomes recognized and which broadens its destructive activity until it has been recognized. This concept in the article has been referred
Przemysław Czapliński
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Studia Litteraria et Historica, 2018 Władysław Pasikowski’s 2012 feature film Aftermath recapitulates and works through the existing resources in documentary cinema that deals with the Polish context of the Holocaust (Claude Lanzmann, Paweł Łoziński, Marian Marzyński, Agnieszka Arnold). It
Elżbieta Janicka
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Claude Lanzmann: Das Grab des göttlichen Tauchers. Ausgewählte Texte. Aus dem Französischen von Erich Wolfgang Skwara [PDF]
, 2016 Trotz seiner inzwischen 91 Jahre sorgt der französische Publizist und Regisseur Claude Lanzmann immer wieder für Schlagzeilen. Zuletzt im Sommer 2016, als er in Berlin im Kempinski-Hotel übernachtete und dabei feststellte, dass auf der Telefonliste zwar ...
Rauch, Raphael
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Shoah de Claude Lanzmann: entre a memória da dor e a radicalidade da morte nos campos nazistas [PDF]
, 2018 A partir do filme Shoah, o artigo se propõe a analisar as imagens que evocam uma memória da dor nos sobreviventes que dão seus testemunhos no filme de Claude Lanzmann.
Lessa Filho, Ricardo
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Pensamiento. Revista de Investigación e Información FilosóficaEl artículo propone una lectura diferente del concepto de «barbarie» desde la relación que se establece en el mito de Casandra entre el término «barbaróphōnos» y la imagen de la golondrina con el fin de poner el peso en la dimensión de la escucha.
Ana Carrasco-Conde
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