Results 11 to 20 of about 98 (86)
¿Puede la fotografía mostrar lo inimaginable? El debate en torno a la representación de la shoah
Fotocinema: Revista Científica de Cine y Fotografía, 2015 Resumen:Durante años, las imágenes fotográficas de la guerra y el horror han sido acusadas de los peores pecados: de ser incapaces de representar el dolor; de provocar una fascinación fetichista y voyeur; de simplificar el sufrimiento, de volverlo ...
Ainara Miguel Sáez de Urabain
doaj +1 more source
The five phases of psychotherapeutic intervention against trauma
Arteterapia, 2017 This paper presents a model of psychotherapeutic intervention against psychological trauma and pain that this causes in the boundary area between the psychic and somatic, taking the reference from a testimony taken in the film Shoah Claude Lanzmann ...
Jorge Marugán Kraus
doaj +1 more source
Claude Lanzmanns Shoah und meine Generation in Alemania
S: I. M. O. N., 2019 The movie Shoah from the intellectual, filmmaker, editor of «Les Temps Modernes» and former Résistance-fighter Claude Lanzmann, who recently passed away, presented for important parts of my generation in Germany a radical turning point.
Stefan Gandler
doaj +1 more source
Rivista di Estetica, 2010 How is it possible, for those who were not “under that sky of blood”, to speak about the Shoah without outraging again, even involuntarily, millions of victims?What are we speaking of, when we mention the Shoah?
Paolo Alessandro Mattiello
doaj +1 more source
Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2015 In the present academic paper the author analyzes two different points of view on the role played by the image in the representation of one of the most tragic events in contemporary history, that of the Holocaust.
Skopin Denis Aleksandrovich
doaj +1 more source
Bystanders’ Images of the Holocaust
Miejsce, 2020 The article is related to the visual objects produced by so-called bystanders (eyewitnesses) during the Holocaust and afterwards. Do these materials become a gesture of testimony? And if yes, when, in what circumstances, and on what conditions?
Roma Sendyka
doaj +1 more source
Apparatus. Film, Media and Digital Cultures of Central and Eastern Europe, 2016 Claude Lanzmann's documentary film The Last of the Unjust (2013) addresses philosophical and ethical aspects of survival in the Theresienstadt ghetto under the last Jewish Elder, Benjamin Murmelstein (1906-89).
Gertrud Koch
doaj +1 more source
Arquivo Maaravi: Revista Digital de Estudos Judaicos da UFMG, 2010 En base al análisis semiótico de un episodio del documental Shoah, de Claude Lanzmann, el presente texto se plantea un problema derivado de la acción indicial de los signos.
Fernando Andacht
doaj +1 more source
Naked, Deformed, Violated Body. A Montage in the Histoire(s) du cinema of Jean-Luc Godard
Scienza & Politica, 2013 The article analyses Histoire(s) du cinéma (1988-1998), a cinematic essay by Jean-Luc Godard, and in particular it focuses on the controversial montage in which the French director aligns extracts from a pornographic film, Tod Browning’s Freaks, and ...
Alberto Brodesco
doaj +1 more source
Arresting images: inhabiting the Nazi archive in Yael Hersonski’s a film unfinished
Diffractions, 2014 The filmic appropriation of archival imagery has become pivotal within the new archival economy of memory. What is particularly striking about this transnational trend is that more than a reproduction of images of the past for illustrative purposes, at ...
Daniela Agostinho
doaj +1 more source