Results 1 to 10 of about 48 (48)
Cadernos de Estudos Lingüísticos, 2021 Este artigo objetiva mobilizar algumas categorias importantes para analisar o documentário Shoah, dirigido por Claude Lanzmann e lançado nos cinemas em 1985.
Fábio Ávila Arcanjo
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Vernacular historical practices on Holocaust non-sites of memory in Poland [PDF]
Heritage, Memory and Conflict, 2021 The approach employed by memory activists to sites of memory often involves historical practices. This paper presents the results of the examination of historical practices undertaken in locations of Holocaust violence during World War II and the ...
Jakub Muchowski
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Noûs, Volume 57, Issue 4, Page 877-904, December 2023., 2023 Abstract A long‐standing aim of cinema – in particular of ‘extreme’, ‘unwatchable’ or ‘feel‐ bad’ cinema – has been to acquaint viewers with extreme suffering. In this article I first offer an explication of that aim in terms of recent work in philosophy of mind, then exploit the resulting framework to examine claims to the effect that a new ...
Emmanuel Ordóñez Angulo
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Sites of violence and their communities: critical memory studies in the post-human era [PDF]
Heritage, Memory and Conflict, 2021 “Sites of Violence and their Communities” presents the results of a research project that brought together scholars and practitioners of memory work in an attempt to critically reinterpret the links between sites, their (human, and non-human) users, and ...
Roma Sendyka
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Beyond “Making Poland Great Again.” Nostalgia in Polish Populist and Non‐populist Discourses1
Sociological Forum, Volume 37, Issue S1, Page 1360-1386, December 2022., 2022 Nostalgia can be triggered not only by personal recollections but also by exposure to narratives or images evoking desirable pasts, more or less fictional, and inducing feelings of longing for them. We analyze the institutional and semiotic machinery involved in the cultural construction of nostalgia in Poland and its role in generating sentiments that
Marta Kotwas, Jan Kubik
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“Non-sites of memory”: Poland in Claude Lanzmann’s Shoah outtakes
Alphaville: Journal of Film and Screen Media, 2021 This article analyses some of the 30 hours of location footage excluded from Claude Lanzmann’s 1985 Holocaust documentary Shoah. Although there has been some analysis of the outtake material in Lanzmann’s archive which consists of eyewitness interviews ...
Sue Vice , Dominic Williams
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The politics of the production of knowledge on trauma: the Grenfell Tower Inquiry
Journal of Law and Society, Volume 48, Issue 4, Page 497-523, December 2021., 2021 Abstract Through an analysis of data obtained from research carried out with the bereaved families of Grenfell Tower and residents of North Kensington, this article demonstrates that the Grenfell community's knowledge on the causes that led to the fire is being systematically excluded by the Inquiry.
NATALIE OHANA
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Genealogy, 2022 In the ongoing and passionate debates over the digitalization of visual media, many questions about the ontology or materiality of the new digital image have been raised.
Louis Levi Breitsohl
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[sic], 2021 This paper explores the politics of Holocaust representations without dealing with the problem of the ethics of the representation itself, but rather indirectly: by asking what the strengths and limitations of film media representation are, it deals with
Marija Ratković
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El cine documental de Claude Lanzmann. El Holocausto contado a partir de Shoah
Revista de Filología Románica, 2017 desde que filmara el documental Shoah, en 1985, Claude Lanzmann no ha dejado de crear piezas cinematográficas que resultan fundamentales para entender el desarrollo del pensamiento historiográfico de la segunda mitad del pasado siglo. Su particular forma
Elios Mendieta Rodríguez
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