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Prototype theory and the importance of literary form for moral imagination. [PDF]
Zheng Y.
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European Journal of English Studies, 2005
Imagery is manifestly a basic and omnipresent constituent of the mental life of human beings, a cognitive prerequisite of symbolisation and thought. The study of the poetic functions of imagery offers us a window into the cognitive semantics of the imaginative mind, but the literary contribution should not limit itself to illustrating the generalities ...
Per Aage Brandt, Line Brandt
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Imagery is manifestly a basic and omnipresent constituent of the mental life of human beings, a cognitive prerequisite of symbolisation and thought. The study of the poetic functions of imagery offers us a window into the cognitive semantics of the imaginative mind, but the literary contribution should not limit itself to illustrating the generalities ...
Per Aage Brandt, Line Brandt
exaly +2 more sources
2020
Abstract This introduction prepares the groundwork for explaining how a poem may become an icon. Drawing from insights in cognitive science, it discusses the nature of sensate cognition and introduces a theory of aesthetic cognition that places poetic cognition as a subcategory within its interdisciplinary field.
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Abstract This introduction prepares the groundwork for explaining how a poem may become an icon. Drawing from insights in cognitive science, it discusses the nature of sensate cognition and introduces a theory of aesthetic cognition that places poetic cognition as a subcategory within its interdisciplinary field.
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2020
Abstract Northrup Frye expressed a scholarly impatience with what seemed to him the inconsequentiality of literary study, asking if criticism might provide “a coordinating principle, a central hypothesis, which, like the theory of evolution in biology, will see the phenomena it deals with as parts of a whole" (1957).
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Abstract Northrup Frye expressed a scholarly impatience with what seemed to him the inconsequentiality of literary study, asking if criticism might provide “a coordinating principle, a central hypothesis, which, like the theory of evolution in biology, will see the phenomena it deals with as parts of a whole" (1957).
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Cartographies of cognitive poetics
Pragmatics & Cognition, 2008The founder of Cognitive Poetics, Reuven Tsur, has seen his project broaden and evolve over the last quarter-century. Some of these developments run counter to Tsur’s continuing thinking, and he has been critical of some of the work that now goes under the name ‘cognitive poetics’. This paper is partly a response to criticisms made by Tsur specifically
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