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The Uncanny Power of Comic Books: Achieving Interdisciplinary Learning through Superhero Comic Books

2020
This chapter sets out to examine how superhero comic books can be used to teach students science literacies and concepts such as genetics, along with ELA content such as creative fiction writing in an after-school comic book club. In reviewing existing literature on the subject of interdisciplinary teaching and Vygotsky’s Theory of Mediated Action ...
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Comics and Books: Reading Value in the American Comic

2019
This thesis examines four comics published in the United States between 1952 and 2017, all of which portray ideas of value—the relationship between morality and monetary consumption—and exist as physical objects with value attached. Using the Book History methodology of descriptive bibliography, as well as the Digital Humanities method of distant ...
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Comic-book science and science comic books

Chemical & Engineering News, 2022
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LEGIBILITY IN COMIC BOOKS

Optometry and Vision Science, 1942
Matthew Luckiesh, Frank K. Moss
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Comics and Books

This chapter presents a book history of comics and their relationship to publication formats, including newspapers, books, and periodicals, to introduce the major argument of the book: that in American culture comics have frequently been consumerist objects of low perceived cultural value, and that Comics Studies needs to develop a means of analyzing ...
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From Comic Books to Courtroom

Moving beyond the pages of their comic book covers, superheroes have become the subject of registrations under intellectual property (IP) regimes, including the copyright system and trademark registers. Control of these characters via the intellectual property system has been instrumental to the publication of comic books, and more recently film and ...
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Superhero comic books

Serials Review, 1982
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Alien Comics, and the Comic Book as an Alien

2018
A brief history of  science fiction comics that considers how this particular genre has always been characterised by a subversive and nonconformist spirit, in opposition to mainstream culture. Thus comics are “alien” not only when they are about aliens but always, because they are perceived as a foreign body in the context of cultural production.
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Displacement from piracy in the American comic book market

Information Economics and Policy, 2021
Wojciech Hardy
exaly  

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