Results 31 to 40 of about 5,512 (161)
A relevância da mulher/atriz no teatro na Commedia dell´Arte.
CenaO artigo trata da Commedia dell’Arte com foco na obra La Mirtilla da atriz e dramaturga Isabella Andreini. Essa peça é escolhida para fazer uma análise acerca de questões relacionadas ao sexo feminino, e de críticas sociais que a atriz faz às imposições
FREDERICK Hunzicker, DIANA FELICORI
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Interlitteraria, 2015 The chosen research subject – stylization of commedia dell’arte in Latvian and foreign Modernist drama and theatre – is a little studied theme in Latvian literary and theatre theory. Unrealistic representations (which are connected with theatricalization)
Viktorija Slūka
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Cognitive Theories of Galant Music at the Margins of Experience
Music Analysis, Volume 44, Issue 3, Page 293-339, October 2025.ABSTRACT Leading cognitive studies of galant music treat schematism as both a device and an ethos. The devices – whether called pre‐fabs, tiles or schemata – undergird a mechanistic and passive ethos of inventiveness. In vision and practice, this constellation of approaches directs inquiry away from a musical depth that one contemplates and towards a ...
Edmund J. Goehring
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Tipologie femminili nella Commedia dell’Arte
Il castello di Elsinore, 2020 The presence of the female characters is the main feature of the professional theatre during the 16th and 17th centuries. Some of the actress built their fame through the uninhibited use of their body, some others through literature and painting.
Siro Ferrone
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The Art of Theatre in Nineteenth-Century America: George L. Fox, Pantomime and Artaud [PDF]
, 2010 This article argues that, through specific stagings orchestrated in the pantomimist’s art, George Lafayette Fox demonstrates a consciousness of staging and of theatricality that presages the blatant theatricalities of twentieth-century theatre and ...
Arnold +17 more
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German Life and Letters, Volume 77, Issue 4, Page 514-537, October 2024.ABSTRACT Gerhard Gundermann was an East German open cast miner and ‘Liedermacher’ who died prematurely in 1998 at the age of forty‐three. Although he is known for his controversial involvement with the Stasi in his early career, very little has been written about his art, including the ‘Liedertheater’ work he performed with Brigade Feuerstein in the ...
David Robb
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Itinera, 2011 La riforma dell’arte drammatica nel primo Settecento francese trova in Baron e in Adrienne Le Couvreur, attori della Comédie Française, due protagonisti d’eccezione.
Alessia Gennari
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Pelopidarum secunda: a ‘site of memory’ in the history of Elizabethan revenge tragedy
Renaissance Studies, Volume 38, Issue 3, Page 394-415, June 2024.Abstract Pelopidarum secunda is an understudied anonymous English adaptation of Seneca's Agamemnon and Sophocles' Electra. The play is preserved only in manuscript and was probably performed at Winchester College around 1590. Through a combination of Marvin Carlson's notions of ‘ghosting’ and of the ‘site of memory’ with a neo‐historicist approach, the
Angelica Vedelago
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The Italian and Spanish sources of Molière's plays [PDF]
, 1922 Thesis (M.A.)--Boston ...
Cohen, Sophia Bess
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‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies
Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
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