Results 41 to 50 of about 5,512 (161)
Drammaturgia, 2020 Vincenza Armani was one of the first actresses in the Commedia dell’Arte of whom we have some news. Endowed with excellent oratory and musical skills, her legacy can be traced in the reports of Mantuan shows of the late Sixties of the Sixteenth century ...
Eloisa Pierucci
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, 2012 The World of Harlequin (Allardyce Nicoll) (Reviewed by Kenneth M. Cameron, University of Rochester)André Malraux: Tragic Humanist (Charles D. Blend) (Reviewed by Victor Brombert, Yale University)Proust\u27s Binoculars (Roger Shattuck) (Reviewed by Victor
Editors, Criticism
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Traditional and modern pigments in Gino Severini's Swiss murals
Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti +3 more
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Rokoko Dönemi Alman Porselen Fabrikalarında 'Commedia Dell Arte' Bibloları
Art and InterpretationRokoko sanatının hâkim olduğu 18. Yüzyıl, bilim ve felsefede ise İmmanuel Kant’ın “Aklını kullanma cesaretini göster” ifadesiyle simgelenen rasyonalizm ve Aydınlanma Çağı olarak şekillenmiştir.
Hülya Kalyoncu
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The Boston University Collegium in Early Music, December 2, 1983 [PDF]
, 1983 This is the concert program of the The Boston University Collegium in Early Music performance on Friday, December 2, 1983 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Capriccio sopra il Cucho from "First Book of Capriccios,
School of Music, Boston University
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Invención y fuentes de los pasos de Lope de Rueda [PDF]
, 1986 En el teatro de Lope de Rueda se aprecian, junto a una acción principal de carácter idealista y raíz italiana, cuadros cómicos, insolidarios con la anterior, procedentes muchas veces de relatos tradicionales.
Marín Martínez, Juan María
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Illustrating Kant’s Aesthetic Theory: Mime, Pantomime, Commedia dell’Arte
EstetikaKant’s Critique of the Power of Judgement, a seminal work in the history of aesthetics, contains some puzzling passages about mime and gesture. This article examines these references as well as Kant’s claims about commedia dell’arte, considering his ...
Robert R. Clewis
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A dialética das máscaras: o jogo de ocultação e revelação no trabalho do ator
Conceição/Conception, 2017 Este artigo tem por objetivo discorrer sobre os artefatos máscaras utilizados em rituais religiosos e na arte, sob a perspectiva da dialética da revelação e ocultação.
José Benedito Almeida Júnior
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Sulla pista, in scena. Le pantomime di Félicien Champsaur al circo Molier e al Noveau Cirque
Drammaturgia, 2020 The varied universe of the performances of Molier circus and the Nouveau Cirque finds its synthesis in Félicien Champsaur’s pantomimes, Les Éreintés de la vie (Circus Molier, 6th and 11th June 1888) and Lulu (Nouveau Cirque, 1st October 1888), not just ...
Elena Mazzoleni
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The "Teatro Fantástico" of Jacinto Benavente in the European theatre
Revista de Filología Románica, 2017 The novice theater of Jacinto Benavente followed in the footsteps of the commedia dell'arte and the French theater of the nineteenth century. A series of techniques give him on this dramatic experience his avant-garde character in Hispanic Modernism.
Santiago Fortuño Llorens
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