Results 41 to 50 of about 5,543 (172)
‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies
Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
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Traditional and modern pigments in Gino Severini's Swiss murals
Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti +3 more
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Drammaturgia, 2020 Vincenza Armani was one of the first actresses in the Commedia dell’Arte of whom we have some news. Endowed with excellent oratory and musical skills, her legacy can be traced in the reports of Mantuan shows of the late Sixties of the Sixteenth century ...
Eloisa Pierucci
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, 2012 The World of Harlequin (Allardyce Nicoll) (Reviewed by Kenneth M. Cameron, University of Rochester)André Malraux: Tragic Humanist (Charles D. Blend) (Reviewed by Victor Brombert, Yale University)Proust\u27s Binoculars (Roger Shattuck) (Reviewed by Victor
Editors, Criticism
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The Boston University Collegium in Early Music, December 2, 1983 [PDF]
, 1983 This is the concert program of the The Boston University Collegium in Early Music performance on Friday, December 2, 1983 at 8:00 p.m., at Marsh Chapel, 735 Commonwealth Avenue. Works performed were Capriccio sopra il Cucho from "First Book of Capriccios,
School of Music, Boston University
core
Illustrating Kant’s Aesthetic Theory: Mime, Pantomime, Commedia dell’Arte
EstetikaKant’s Critique of the Power of Judgement, a seminal work in the history of aesthetics, contains some puzzling passages about mime and gesture. This article examines these references as well as Kant’s claims about commedia dell’arte, considering his ...
Robert R. Clewis
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Rokoko Dönemi Alman Porselen Fabrikalarında 'Commedia Dell Arte' Bibloları
Art and InterpretationRokoko sanatının hâkim olduğu 18. Yüzyıl, bilim ve felsefede ise İmmanuel Kant’ın “Aklını kullanma cesaretini göster” ifadesiyle simgelenen rasyonalizm ve Aydınlanma Çağı olarak şekillenmiştir.
Hülya Kalyoncu
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A dialética das máscaras: o jogo de ocultação e revelação no trabalho do ator
Conceição/Conception, 2017 Este artigo tem por objetivo discorrer sobre os artefatos máscaras utilizados em rituais religiosos e na arte, sob a perspectiva da dialética da revelação e ocultação.
José Benedito Almeida Júnior
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СЦЕНІЧНІ АДАПТАЦІЇ МАСОК РІЗНИХ ЕПОХ У РЕЖИСЕРСЬКИХ ПОШУКАХ ПЕРШОЇ ТРЕТИНИ ХХ ст.
Вісник КНУКіМ: Серія Мистецтвознавство, 2020 Мета статті – проаналізувати концепції універсального актора та висвітлити фрагменти сценічної адаптації масок різних епох у творчості провідних режисерів першої третини ХХ ст. – Є. Вахтангова, Г. Крега, Леся Курбаса, Вс. Мейєрхольда, О. Таїрова.
Tetiana Boiko, Maryna Tatarenko
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Invención y fuentes de los pasos de Lope de Rueda [PDF]
, 1986 En el teatro de Lope de Rueda se aprecian, junto a una acción principal de carácter idealista y raíz italiana, cuadros cómicos, insolidarios con la anterior, procedentes muchas veces de relatos tradicionales.
Marín Martínez, Juan María
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