Results 21 to 30 of about 14,713 (119)

Las harpías en Madrid y coche de las estafas, de Castillo Solórzano: entre novela y puesta en escena

Edad de Oro, 2018
Este artículo se propone estudiar la colección de novelas cortas titulada Las harpías en Madrid y coche de las estafas, de Alonso de Castillo Solórzano.
Luana Bermúdez
doaj   +1 more source

Noël Coward and the Sitwells: enmity, celebrity, popularity [PDF]

, 2015
In 1923, the year of the first public performance of Edith Sitwell and William Walton's Façade, Noël Coward satirized the Sitwell siblings in his sketch “The Swiss Family Whittlebot.” The result was an enduring feud between Coward and the Sitwells that ...
Hammill, Faye
core   +2 more sources

The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni

Konservatoryum
The study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
doaj   +1 more source

Three Plays by Austin Clarke and the Commedia Tradition

Studi Irlandesi, 2011
Commedia dell’arte influenced theatrical production styles in many European countries, Ireland being no exception, assimilating the influence through pantomime during colonial times.
Christopher Murray
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Commedia dell’arte și grummelot-ul

Symbolon, 2020
Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
doaj  

Tipologie femminili nella Commedia dell’Arte

Il castello di Elsinore, 2020
The presence of the female characters is the main feature of the professional theatre during the 16th and 17th centuries. Some of the actress built their fame through the uninhibited use of their body, some others through literature and painting.
Siro Ferrone
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Truffaldino - sługa dwóch żołądków

Annales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2017
Truffaldino – servant of two stomachs Abstract The article treats about the relationship between one of Carlo Goldoni’s first plays – Servantof Two Masters – and the tradition of commedia dell’arte.
Paulina Kwaśniewska-Urban
doaj   +1 more source

Gennaro Sacco, słynny Coviello, i jego trzy sztuki

Pamiętnik Teatralny, 2023
This article analyzes three plays published by Gennaro Sacco, a dell’arte actor-playwright who visited the Polish royal court in 1699. Sacco became famous for his role as Coviello.
Jolanta Dygul
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Rhetorik und Schriftbildlichkeit von literarischen Pantomimen

Orbis Litterarum, Volume 80, Issue 6, Page 619-628, December 2025.
Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
wiley   +1 more source

Stylization of Commedia dell’arte in Latvian and Foreign Modernist Drama and Theatre: Methods and Sources

Interlitteraria, 2015
The chosen research subject – stylization of commedia dell’arte in Latvian and foreign Modernist drama and theatre – is a little studied theme in Latvian literary and theatre theory. Unrealistic representations (which are connected with theatricalization)
Viktorija Slūka
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