Results 41 to 50 of about 14,823 (122)
Drammaturgia, 2020 Vincenza Armani was one of the first actresses in the Commedia dell’Arte of whom we have some news. Endowed with excellent oratory and musical skills, her legacy can be traced in the reports of Mantuan shows of the late Sixties of the Sixteenth century ...
Eloisa Pierucci
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‘By consultation of elevated minds’: the role of paratexts in Giovanni Battista Calderari's comedies
Renaissance Studies, Volume 38, Issue 1, Page 143-162, February 2024.Abstract Genette's Seuils considers the dramatic paratext as the odd one out, and, indeed, the early‐modern theatrical paratext has remained understudied. This article discusses the paratexts of the comedies of Giovanni Battista Calderari, a sixteenth‐century author quite neglected by scholars, whose works were published in Vicenza and Venice.
Lies Verbaere
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Traditional and modern pigments in Gino Severini's Swiss murals
Color Research &Application, Volume 49, Issue 1, Page 124-143, January/February 2024.UVL, Vis, and VIL photographic records of a detail of Severini's mural at the Couvent des Capucins in Sion (1947). ©SUPSI. Abstract Between 1924 and 1947, Gino Severini decorated five churches in the Romand region of Switzerland with monumental religious wall paintings.
Patrizia Moretti +3 more
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Editorial: Comicidade e Commedia dell'Arte
Conceição/Conception, 2017 O presente número da Conceição/Conception (vol. 6, n. 1) foi organizado em parceria com a Profa. Dra. Vilma Campos dos Santos Leite, da Universidade Federal de Uberlândia, tendo como temática o estudo da comicidade e Commedia dell’Arte.
Mariana Baruco Andraus
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Sulla pista, in scena. Le pantomime di Félicien Champsaur al circo Molier e al Noveau Cirque
Drammaturgia, 2020 The varied universe of the performances of Molier circus and the Nouveau Cirque finds its synthesis in Félicien Champsaur’s pantomimes, Les Éreintés de la vie (Circus Molier, 6th and 11th June 1888) and Lulu (Nouveau Cirque, 1st October 1888), not just ...
Elena Mazzoleni
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Rokoko Dönemi Alman Porselen Fabrikalarında 'Commedia Dell Arte' Bibloları
Art and InterpretationRokoko sanatının hâkim olduğu 18. Yüzyıl, bilim ve felsefede ise İmmanuel Kant’ın “Aklını kullanma cesaretini göster” ifadesiyle simgelenen rasyonalizm ve Aydınlanma Çağı olarak şekillenmiştir.
Hülya Kalyoncu
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The "Teatro Fantástico" of Jacinto Benavente in the European theatre
Revista de Filología Románica, 2017 The novice theater of Jacinto Benavente followed in the footsteps of the commedia dell'arte and the French theater of the nineteenth century. A series of techniques give him on this dramatic experience his avant-garde character in Hispanic Modernism.
Santiago Fortuño Llorens
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СЦЕНІЧНІ АДАПТАЦІЇ МАСОК РІЗНИХ ЕПОХ У РЕЖИСЕРСЬКИХ ПОШУКАХ ПЕРШОЇ ТРЕТИНИ ХХ ст.
Вісник КНУКіМ: Серія Мистецтвознавство, 2020 Мета статті – проаналізувати концепції універсального актора та висвітлити фрагменти сценічної адаптації масок різних епох у творчості провідних режисерів першої третини ХХ ст. – Є. Вахтангова, Г. Крега, Леся Курбаса, Вс. Мейєрхольда, О. Таїрова.
Tetiana Boiko, Maryna Tatarenko
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Costume Design for \u3cem\u3eVolpone\u3c/em\u3e by Ben Jonson [PDF]
, 2017 This poster presentation provides information about my final design for the Linfield College Theatre Program’s Costume Design course taught by Laurel Peterson during the 2016 fall semester.
Olson, Rosalie S.
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Amateurs meet professionals: theatrical activities in late sixteenth-century Italian Academies [PDF]
, 2015 This chapter explores the complex and still obscure relationship between Italian literary academies, which often engaged in amateur theatricals, and professional actors who formed part of the new theatrical companies (commedia dell’arte) which emerged on
Sampson, Lisa
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