Results 21 to 30 of about 14,823 (122)
Starting point of the article’s thesis is the author's personal experience of theatrical practice and contact with other theatrical cultures, especially in Asia and, even more, in Japan.
Fabio Mangolini
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Las harpías en Madrid y coche de las estafas, de Castillo Solórzano: entre novela y puesta en escena
Este artículo se propone estudiar la colección de novelas cortas titulada Las harpías en Madrid y coche de las estafas, de Alonso de Castillo Solórzano.
Luana Bermúdez
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Noël Coward and the Sitwells: enmity, celebrity, popularity [PDF]
In 1923, the year of the first public performance of Edith Sitwell and William Walton's Façade, Noël Coward satirized the Sitwell siblings in his sketch “The Swiss Family Whittlebot.” The result was an enduring feud between Coward and the Sitwells that ...
Hammill, Faye
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The Art of Theatre in Nineteenth-Century America: George L. Fox, Pantomime and Artaud [PDF]
This article argues that, through specific stagings orchestrated in the pantomimist’s art, George Lafayette Fox demonstrates a consciousness of staging and of theatricality that presages the blatant theatricalities of twentieth-century theatre and ...
Arnold +17 more
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The Influence of Commedia Dell’arte is Evident in the Opera: Don Giovanni
The study looks at the opera Don Giovanni, written by Lorenzo da Ponte and composed by W.A. Mozart, and how it was influenced by commedia dell’arte. The study looks at the historical process of the figure of Don Juan, which emerged in the Spanish Golden ...
Furkan Aktakka
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Commedia dell’arte și grummelot-ul
Commedia Dell’Arte and the Grammelot Commedia dell’Arte appeared in the 16th century in Italy. This theatrical genre expanded its existence for over two and a half centuries.
Ciprian Scurtea
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Three Plays by Austin Clarke and the Commedia Tradition
Commedia dell’arte influenced theatrical production styles in many European countries, Ireland being no exception, assimilating the influence through pantomime during colonial times.
Christopher Murray
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Tipologie femminili nella Commedia dell’Arte
The presence of the female characters is the main feature of the professional theatre during the 16th and 17th centuries. Some of the actress built their fame through the uninhibited use of their body, some others through literature and painting.
Siro Ferrone
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Rhetorik und Schriftbildlichkeit von literarischen Pantomimen
Zusammenfassung Da sich die Pantomime als sogenannte „wortlose Kunst“ ihrer Verschriftlichung eigentlich entzieht, sind einige Texte der Pantomime um 1900 bezüglich ihrer Darstellungsverfahren besonders erfinderisch. Sie enthalten Notationen, Bilder, Zeichnungen und generieren rhetorische Figuren, um die Bewegung des Körpers auf der Bühne in den Texten
Nina Tolksdorf
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Truffaldino - sługa dwóch żołądków
Truffaldino – servant of two stomachs Abstract The article treats about the relationship between one of Carlo Goldoni’s first plays – Servantof Two Masters – and the tradition of commedia dell’arte.
Paulina Kwaśniewska-Urban
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