Results 61 to 70 of about 14,823 (122)
The popular and the avant-garde: performance, incorporation and resistance [PDF]
, 2015 Many modernists in the late nineteenth century harboured a strong suspicion of the emerging mass culture produced for the working classes. Adopting a position similar to Matthew Arnold’s (2009) that culture was the speciality of a cultured few, and not ...
Price, Jason
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Aloysius Bertrand. Les prismes historiques et grotesques du Moyen Âge [PDF]
, 2006 Le Moyen Âge constitue un thème de prédilection dans Gaspard de la nuit, dont la fonction ne se réduit pas à celle d’ornement. En effet, le Moyen Âge y représente plutôt un lieu de réflexion du monde qui permet à l’auteur de formuler un commentaire ...
Bonenfant, Luc
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Memory on canvas : Commedia dell'Arte as a model for Homeric performance [PDF]
, 2011 When Albert Lord began the introduction to the work in which he would synthesize and analyze the material that he and his teacher, Milman Parry, had collected in the South Slavic world, he stated that "what was needed most in Homeric scholarship was a ...
Boyd, Timothy W.
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East Coast/West Coast: The Long Tradition of Italian Immigrant Performers [PDF]
, 2019 This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the east Coast and in ...
Muscio, Giuliana
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, 2012 While the writings of early modern medical practitioners habitually touch on performance and ceremony, few illuminate them as clearly as the Protestant physicians Felix Platter and Thomas Platter the Younger, who studied in Montpellier and practiced in ...
Katritzky, M.A.
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George Sand et le Théâtre de Nohant [PDF]
, 2012 C'est dans sa propre demeure que Sand monte une salle de théâtre qui sert de lieu de formation pour ses deux enfants et ses amis intimes. Passionnée par l'histoire de la commedia dell'arte et par son évolution à son époque, l'auteur explore cette forme ...
Ashdown-Lecointre, Leisha
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Comicidade e Comedia dell´Arte: Texto de Abertura
Conceição/Conception, 2017 Esse número abarca estudos relacionados ao cômico como, por exemplo, a dimensão da linguagem clownesca e do bufão, assim como abordagens que se utilizam da máscara mesmo que não restritas ao próprio gênero ligado ao riso.
Vilma Campos Leite
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“Commedia Dell’arte e... música?”: proposta interdisciplinar voltada para o ensino da arte [PDF]
, 2014 Anais do II Seminário Seminário Estadual PIBID do Paraná: tecendo saberes / organizado por Dulcyene Maria Ribeiro e Catarina Costa Fernandes — Foz do Iguaçu: Unioeste; Unila, 2014O presente artigo tem como objetivo descrever o processo de elaboração de ...
Araujo, Nayara Tamires C. de +1 more
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Franz Liszt e la «Dante Symphony»: frammenti e simboli per una nuova musica «umanitaria» [PDF]
, 2015 Throughout his years at the service of the Grand Duke of Weimar, characterized by the desire to find a safe haven in which to quench his constant desire to be in deep spiritual meditation, Liszt was able to deepen his awareness of his own musical and non-
Avallone, Alessandro
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A maquiagem e o rosto sob a máscara da Commedia dell’Arte
DAPesquisa, 2018 A escolha destes dois objetos de estudo para tradução, referentes à maquiagem e ao rosto sob a máscara na Commedia dell’Arte a partir do livro escrito por Claudia Contin, está relacionada ao trabalho apurado e significativo a respeito da arte do ator ...
Claudia Contin, Aline Castaman
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