Results 81 to 90 of about 15,082 (157)
Babel: Littératures Plurielles, 2017 In the second half of the nineteenth and early twentieth centuries, when the Commedia dell’Arte had exhausted its cycle from a theatrical point of view, masks such as Pulcinella, Arlecchino and Pierrot, together with street performers, clowns and ...
Susanna Arangio
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, 2012 While the writings of early modern medical practitioners habitually touch on performance and ceremony, few illuminate them as clearly as the Protestant physicians Felix Platter and Thomas Platter the Younger, who studied in Montpellier and practiced in ...
Katritzky, M.A.
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A dramaturgia da commedia dell’arte na busca de um teatro contemporâneo
Arte da Cena, 2016 This article presents a proposal of contemporary theater creation, based on commedia dell’arte’s dramaturgy, represented by two Italian authors, Flaminio Scala, Carlo Goldoni and the Brazilian Ariano Suassuna, who used some creative ...
Carlos Afonso Monteiro Rabelo
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Reinterpretations of the Shakespearean Universe In Terms of the Commedia Dell’Arte
, 2021 Bianca Holobuț
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George Sand et le Théâtre de Nohant [PDF]
, 2012 C'est dans sa propre demeure que Sand monte une salle de théâtre qui sert de lieu de formation pour ses deux enfants et ses amis intimes. Passionnée par l'histoire de la commedia dell'arte et par son évolution à son époque, l'auteur explore cette forme ...
Ashdown-Lecointre, Leisha
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The Use of Theatrum Mundi in Shakespeare's comedy As You Like It : the World as a Stage [PDF]
, 2016 William Shakespeare used the concept of theatrum mundi in his plays in order to provoke a critical thinking in their contemporaries about the social conventions and traditions of his era.
Borrell Falcó, Pol +1 more
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OuvirOUver, 2009 Este texto é um relato do processo de treinamento da Commedia dell’Arte, dando uma atenção maior a Máscara do Arlecchino. Trata-se de uma experiência pessoal da atriz e pesquisadora em torno das máscaras em sua formação.
Claudia Contin
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The popular and the avant-garde: performance, incorporation and resistance [PDF]
, 2015 Many modernists in the late nineteenth century harboured a strong suspicion of the emerging mass culture produced for the working classes. Adopting a position similar to Matthew Arnold’s (2009) that culture was the speciality of a cultured few, and not ...
Price, Jason
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