Results 21 to 30 of about 184,374 (321)
The identity of the global concrete movement has depended on a set of explicit and implicit categories that enables critics, readers, and curators to differentiate what counts as concrete poetry from what does not.
Andreas Hapkemeyer
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Repetition and variation in Milan Adamčiak’s typewriter concrete poetry [PDF]
The contribution deals with the typewritten concrete poetry of the intermedia artist Milan Adamčiak (1946 – 2017), which was created in the second half of the 1960s.
Jaroslav Šrank
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Thick as Trees: Kinship and Place in Transatlantic Small Press Poetry Networks [PDF]
Cet article examine le rôle que jouent les maisons d’édition de poésie dans le travail et la réception de plusieurs poètes américains, écossais et britanniques : Lorine Niedecker, Ian Hamilton Finlay, Roy Fisher et Stuart Mills.
Hair, Ross
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This essay puts forth a definition of poetry rooted in experience. In following Eugenio Montale, it analyzes two of his poems – “I limoni” and “Notizie dall’Amiata” – to show how the poet, rather than constructing discrete poetic worlds, aims at a ...
Jan Söffner
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Rabbits see pink. Jozef Mihalkovič’s world of things and animals [PDF]
The article focuses on one of the groups of core motifs in Jozef Mihalkovič’s (b. 1935) poetry. Animals and life in the countryside in general play an important role in Mihalkovič’s verse and the poet often uses these in contrast to the world of ...
Michal Jareš
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Brazilian avant-garde: Concrete poetry, Gullar and Mallarmé
The Brazilian Concrete avant-garde, which began in the modernity of the 1950’s, salvaged for the national culture an important literary reference. Mallarmé was an influence for the Concrete Poetry and the source of new discoveries, such as those that ...
Sandra M. Stroparo
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Analysis of Concrete Poetry and its elements in "Harb Man Muthaf Al Athar" and "Isab al-Khof" by Abdul Razzaq Abdul Wahid. [PDF]
Analysis of Concrete Poetry and its elements in "Harb Man Muthaf Al Athar" and "Isab al-Khof" by Abdul Razzaq Abdul Wahid.ABSTRACTConcrete poetry is like a verbal-visual art.
tayyebeh seyfi, faezeh raeisi
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In the light of the current debate concerning the nature and function of textual aesthetic information in its relationship with the visual dimension, this anthology consists of theoretical and creative texts by the three founders of the Brazilian ...
a cura di Sergio Romanelli
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Thinking in Poetry: Observations on the Poems of Melih Cevdet Anday And Özdemir Asaf
In studies on the art of poetry, sound and image play a dominant role. As a natural consequence of the differences between prose and poetic language, the prevailing view is that poetry is an art separate from discourse based on sound, image, and concrete
Alphan Akgül
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“Sourd-Muet”: The Poetics of Non-communication in Peter Manson’s ‘Sourdough Mutation’
This article explores the formal characteristics of, and some possible motivations for, what I call ‘non-communication’ in Peter Manson’s 2014 poem-sequence ‘Sourdough Mutation’. Initially, I consider the distinctions between the compositional mode which
Greg Thomas
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