Results 61 to 70 of about 4,201 (198)
Stanisława Dróżdża między w kontekście intermediów
The article analyses the ideas of recurrence, infinity and incertitude in Dróżdż’s work in-between, realised for the first time in the Foksal Gallery in Warsaw (1977), in Dick Higgins’ terms of intermedia.
Jakub Kornhauser
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Open to a Changing World: Concrete Poetry in Denmark
The essay describes the rise of concrete poetry in Denmark in the 1960s, the intermedial roots of concrete poetry, concrete poetry as open work (in Eco's sense), the main Danish poets, the development of concrete poetry into systemic writing and the ...
Ørum, Tania
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For an abstract in Polish, scroll down. Piotr Bogalecki Department of Comparative Literature Institute of Polish Literature University of Silesia in Katowice With the Left Hand.
Piotr Bogalecki
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It is interesting to examine the art form known as concrete poetry with translation -- both practical and theoretical -- in mind, because it was, according to Kopfermann (1974:x1), considered international by its creators: the language-elements are not ...
Malmkjaer, Kirsten
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The main subject ofthis thesis is a brazilian concrete poetry between years 1950 and 1960. This poetry, along the poems-constellations by a swiss poet Eugen Gomringer, precedes an experimental poetry movemen ofthe sixties.
Korpaczewski, Pavla
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The article shows the functioning of concrete poetry in the sphere dominated by technological solutions, being characteristic of the culture associated with new media.
Pietruszewska-Kobiela, Grażyna +1 more
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In his poetry Piotr Sommer often makes circumstantial references to events, places, friends and acquaintances whom he mentions by name. For Zaleski this is a pretext for reviewing the classification of what is “occasional” in poetry.
Marek Zaleski
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This article examines the boundaries of poetry as a textual form by exploring its intersections with visual arts, conceptual writing, and experimental poetics.
Ido Nitzan
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THE WRITING OF EDUARDO MILÁN AND YOUR DIALOGUE WITH CONCRETISM
The Concretism is a reference in the history of Brazilian poetry and its international projection, from the 1950s to the present day, remains the subject of research about your reception at the panorama of contemporary poetry in Brazil and abroad.
Claudia Dias Sampaio
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Dept. of English Language, Literature, and Creative Writing. Paper copy at Leddy Library: Theses & Major Papers - Basement, West Bldg. / Call Number: Thesis1973 .D23. Source: Masters Abstracts International, Volume: 40-07, page: . Thesis (M.A.)--University of Windsor (Canada), 1973.
openaire +2 more sources

