Results 41 to 50 of about 2,917 (107)

Un juego corto : estudio e investigación sobre la dirección de actores dentro de las dinámicas propias del cortometraje. Bogotá, 2008 [PDF]

, 2008
Comunicador (a ...
Vanegas Bolaños, Elsa Carolina, Villegas Ruiz, Nathalia   +1 more
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Pedagogía teatral: ruptura, movimiento e inquietud de sí Pedagogia teatral: ruptura, movimento e inquietação de si Theatre Pedagogy: Rupture, Movement and Restlessness of Self

Educación y Educadores, 2009
Este texto pretende abordar las condiciones de posibilidad y emergencia de la Pedagogía Teatral, entendiéndola como una especie de inquietud de sí. Por tanto, problematiza la pedagogía de Stanislavski como una ética de la inquietud de sí y que encuentra ...
Gilberto Icle
doaj  

Working With the Tangible: Radiation, A Twenty-First Century Interpretation [PDF]

, 2013
The intangible means of expression was a topic of investigation across various disciplines when Michael Chekhov was developing his pedagogic practice.
Brennan, Amanda
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Amor ao teatro: o ator e a escuta principiante [PDF]

, 2016
TCC(graduação) - Universidade Federal de Santa Catarina. Centro de Comunicação e Expressão. TeatroA presente pesquisa tem como objetivo investigar a noção de amor ao teatro por meio da obra Apelos de Jacques Copeau, para tanto a questão norteadora é: em ...
Piedade, Valquiria Vasconcelos da
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Incandescence, the Flower and the Parapet

Revista Brasileira de Estudos da Presença, 2011
This article proposes a reflection on the notion of stage presence. In reviewing the terms frequently used to evoke this essential quality of acting – perceptible to anyone but always difficult to define –, the author shows to which degree the concept
Jean-François Dusigne
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The Actor’s Work and the Art of Fictionalising Oneself

Revista Brasileira de Estudos da Presença, 2013
This article discusses the actor’s work as a possibility of creation and invention of the self. This concept is related to ways of fictionalising oneself, that is, ways to think an actor’s work on themselves as a possible way to project the self beyond ...
Celina Nunes de Alcântara
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Immersions ludiques, Comment les passages se créent [PDF]

, 2006
A partir de l'analyse de plusieurs études et observations sur les enjeux proxémiques de la perméabilité sémiotique, cet article propose d'interroger le désir d'immersion dans les dispositifs de médiation interactive. Les imperfections de l'immersion sont
Mabillot, Vincent
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L’Incandescence, la Fleur et le Garde-fou

Revista Brasileira de Estudos da Presença, 2011
Cet article propose une réflexion autour de la notion de présence scénique. Passant en revue les termes fréquemment utilisés pour évoquer cette qualité essentielle du travail de l’acteur – perceptible aux yeux de tous, mais toujours rétive aux ...
Jean François Dusigne
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Prospects of re-signifying life through the methods of the realistic theater of Constantin Stanislavski and Ivana Chubbuck

Brazilian Journal of Development
Acting is a complex and difficult to define art. It's easy to distinguish between good acting and bad acting. Being able to be captivating in a job while someone else, playing the same role and saying the same words, could be better or worse? If this depended solely on the script, on the beauty of the language, on a skillful construction of the ...
openaire   +1 more source

Villain Stardom in Socialist China: Chen Qiang and the Cultural Politics of Affect [PDF]

, 2015
Despite playing various kinds of roles across genres from 1949 to 1965, Chen Qiang acquired stardom mainly due to his remarkable screen performance as villainous landlords in socialist China.
Ai K., Brennan T., Chen Q., Chen Q., Chen Q., Deleuze G., Farquar M., Harries D., Hinton W., Liang X., Lin N., Lin N., Lippit V., Liu X., Lu F., Lu X., Mao Zedong, Meisner M., Meng Y., Negra D., Pramaggiore M., Qi Y., Redmond S., Sang H., Seigworth G. J., Shang R., Shui H., Soila T., Spinoza B, Stanislavski C., Stanislavski C., Stanislavski C., Sun B., Wang Y., Wei R., Xiaoning Lu, Xie J., Yan G., Yang C. K., Yang L., Yau E., Yi L., Yu S. Q., Zhou Y.   +43 more
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