Results 51 to 60 of about 67,379 (96)
Plectonotum neoruficolle Constantin, 2020, nom. nov.
Plectonotum neoruficolle, nom. nov. (Figs. 16, 39, 77-78, 108, 119) Plectonotum ruficolle Wittmer, 1988: 331, homonym of P.ruficolle Pic,1926 (= Hyponotum ruficolle (Pic, 1926)). Plectonotum neoruficolle Constantin, nom.
Constantin, Robert
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Réponse de Monsieur André Constantin
Constantin André. Réponse de Monsieur André Constantin. In: Bulletin de l'Académie Vétérinaire de France tome 148 n°3, 1995. pp.
Constantin, André
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Experiência inicial de auto treinamento do ator a partir dos princípios de Stanislavski [PDF]
The contributions of Constantin Stanislavski's thought and work are still applied and experienced today. This study is about the preparation and training of the actor.
Carvalho, Eliete Alves
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Utilização do método de Stanislavski em direções na Companhia da Ilusão [PDF]
Trabalho de Conclusão de Curso (graduação)—Universidade de Brasília, Instituto de Artes, Departamento de Artes Cênicas, 2018.O presente trabalho visa apresentar para os leitores a incorporação do método de Constantin Stanislavski na escola de formação de
Marinho, Luciana Silva
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Stanislavski was the first to outline a systematic approach for using our experience, imagination and observation to create truthful acting. 150 years after his birth, his approach is more widely embraced and taught throughout the world – but is still ...
John Gillett
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Goerski, Constantin an Herman Grimm (3 Briefe)
GOERSKI, CONSTANTIN AN HERMAN GRIMM (3 BRIEFE) Goerski, Constantin an Herman Grimm (3 Briefe) (Br1491) Brief 1491 (Br1491) Brief 1492 (Br1492) Brief 1493 ...
Goerski, Constantin, Grimm, Herman
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Krause Blüten : Gedichte / von Constantin Fufajew
KRAUSE BLÜTEN : GEDICHTE / VON CONSTANTIN FUFAJEW Krause Blüten : Gedichte / von Constantin Fufajew (1) Cover (1) Titelseite (3) Chapter (5) Fürs Leben. - Warnung. (7) Irdische Seligkeit. - Der Tod.
Fufajew, Constantin
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Este artigo investiga a complexa relação entre o performer e o personagem, com foco na questão da identificação e nos limites entre arte e vida. A partir de uma análise comparada entre algumas tradições ocidentais e orientais de formação do performer, o
Leela Alaniz
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Explicit recognition of emotional facial expressions is shaped by expertise: evidence from professional actors. [PDF]
Conson M +6 more
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This article investigates the complex relationship between the performer and the character, focusing on the question of identification and the boundaries between art and life.
Leela Alaniz
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