Results 71 to 80 of about 366 (93)

The actor's body Constantin stanislavski's cinematic theatre

Third Text, 2003
Oleg Aronson
exaly   +2 more sources

It is useless to refrain the wave: the need for Brecht and Stanislavski in the hybridity of the epic theatrical forms of the Brazilian scene

Stanislavski Studies, 2020
This article proposes to observe the relationship between the legacy of Constantin Stanislavski and Bertolt Brecht in Brazil, from the 1950s to the present, demarking the influences of both in the transformation of acting practices in the country as ...
Romano, Lucia [UNESP]
exaly   +2 more sources

La Creación del personaje de Nina de "La Gaviota", basada en el análisis de texto y en las técnicas interpretativas de Constantin Stanislavski [Recurso electrónico] /

2016
297 p. (Según el contador de la aplicación)
Domínguez Berlanga, Isabel., Mata Cortés, Athenea (1976-), Universidad Antonio de Nebrija. Departamento de Arte. Sección de Artes Escénicas.   +2 more
openaire   +2 more sources

A minister prepares: liturgical performance and Stanislavski’s method of acting

Theology, 2021
Tom Mclean
exaly  

Creating a Role by Constantin Stanislavsky (review)

Modern Drama, 1963
openaire   +1 more source

POR UMA HISTÓRIA DA ATUAÇÃO TEATRAL: NOTAS SOBRE UM CAMPO EM FORMAÇÃO A PARTIR DO CASO DE CONSTANTIN STANISLAVSKI

2022
openaire   +1 more source

Constantin Stanislavski and Pavel Rumyantsev, trans. and ed. Elizabeth Reynolds Hapgood Stanislavski on OperaLondon; New York: Routledge, 1998. £14.99. ISBN 0-87830-552-1.

New Theatre Quarterly, 1999
openaire   +1 more source

Applying the Theory of Stanislavski to Simulation: Stepping into Role

Clinical Simulation in Nursing, 2015
Cathy M Smith, Debra Nestel
exaly  

The Self as Social Artifice: Some Consequences of Stanislavski

Biosemiotics, 2011
Gerald Ostdiek
exaly