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What Determines the Perception of Segmentation in Contemporary Music? [PDF]

open access: yesFrontiers in Psychology, 2020
BackgroundThis study concerns the perception of musical segmentation during listening to live contemporary classical music. Little is known about how listeners form judgments of musical segments, particularly when typical section markers, such as ...
Michelle Phillips   +8 more
doaj   +2 more sources

Reshaping the Musical Experience: A Critical Examination of Musique Concrète and the Notion of ‘Music of Technology’

open access: yesINSAM, 2023
The critical examination in this paper should point to a shift in a perspective in understanding musique concrète (concrete music) in relation to its historical evaluation, viewing it as a music of technology.
Rijad Kaniža
doaj   +1 more source

ENCOURAGING GUIDELINES IN NEUROMUSICOLOGICAL RESEARCH REGARDING CLASSICAL MUSIC’S USAGE IN SONIC THERAPY - WHEN SCIENCE BECOMES MAGIC

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2022
In systematic musicology as a branch of music psychology we found an intriguing orientation called cognitive neuroscience of music, or neuromusicology.
Csilla CSÁKÁNY
doaj   +1 more source

How Black Creators Stopped The Clock on TikTok

open access: yesINSAM, 2021
Between June and July 2021, a number of Black creators banded together on TikTok and withheld from creating content – they went on strike. This sudden protest came after outcries from Black creators, who claimed that they created many of the viral dances
Yvonne Ile
doaj   +1 more source

Fictosexuality, Fictoromance, and Fictophilia: A Qualitative Study of Love and Desire for Fictional Characters

open access: yesFrontiers in Psychology, 2021
Fictosexuality, fictoromance, and fictophilia are terms that have recently become popular in online environments as indicators of strong and lasting feelings of love, infatuation, or desire for one or more fictional characters.
Veli-Matti Karhulahti   +2 more
doaj   +1 more source

The institutionalisation of “Uptown”: Contemporary orchestral music practices in New York City 1960–1975

open access: yesTrio, 2022
The aim of this paper is to investigate how contemporary music composition aesthetics and performance practices in orchestral music came to be defined and institutionalised in New York City through the 1960s and 1970s.
Lucy Abrams-Husso
doaj   +1 more source

The Sacralization of Straightedge Punk: Bhakti-yoga, Nada Brahma and the Divine Received: Embodiment of Krishnacore

open access: yesMuzikološki Zbornik, 2015
This article explores the formation of Krishnacore, a phenomenon born from the amalgamation of American straightedge punk and the Hare Krishna Movement in the 1990s.
Mike Dines
doaj   +1 more source

SONEMUS Fest (2015–2018): From ‘Sonic Boom’ to ‘Icarus’

open access: yesINSAM, 2018
SONEMUS is an organization established in 2001 for the purpose of performing, promoting and educating in the domain of contemporary music. The SONEMUS Festival is the only festival of its kind in Bosnia and Herzegovina and that is the reason for its ...
Rijad Kaniža
doaj   +1 more source

Profil “Kontemporer” Musik Kelahiran Minang

open access: yesMudra: Jurnal Seni Budaya, 2021
one of musical entities in West Sumatera is the Minangkabau cultural music. The existence of the music has changed significantly since the second half of twentieth century, as an intergral change of Indonesian music in general.
Mahdi Bahar
doaj   +1 more source

COMPOSITION FRAMEWORK FOR CONTEMPORARY ARTISTS WHO USE TRADITIONAL TUNES

open access: yesAfrican Musicology Online, 2021
Music composition in Kenya has been undertaken alongside Western classical traditions comprising compositional techniques, styles, forms, and harmonies. This phenomenon also manifests itself in traditional music arrangements by various artists.
Gabriel Musungu
doaj   +1 more source

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