Results 111 to 120 of about 3,092,775 (221)

Omnibus: The Boston University Collegium in Contemporary Music, March 24, 1987 [PDF]

, 1987
This is the concert program of the Omnibus: The Boston University Collegium in Contemporary Music performance on Tuesday, March 24, 1987 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue. Works performed were Symphonie, Op.
School of Music, Boston University
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There is No Rose:Contemporary Choreography Meets the Anglican Choral Tradition

The Owl, 2012
My choreographic research project contains three phases. In phase one, I choreographed a solo work of contemporary dance for the choral piece “There Is No Rose,” arranged by Randall Stroope. My primary objective in this phase was to design a new approach
Hannah Barnard
doaj  

Cultural Expression and Liturgical Theology in the Worship Songs Sung by British-Born Chinese

Religions
Multilingual and multicultural worship can take on many models and expressions. Initially, Chinese immigration to the UK in the 1950s and 1960s led to an increased population of churches. Many Chinese church services were conducted in Cantonese, catering
James Yat-Man Tang, Jeremy Perigo
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Dreaming digital landscapes

Canadian Geographies / Géographies canadiennes, Volume 70, Issue 4, Winter / hiver 2026.
Abstract The metaphor of digital landscapes captures a dream for spatial digital tools and analysis that are distinct from the characteristic and theoretical structures that inform tools developed with metaphors like artificial intelligence. Where artificial intelligence suggests automation, rapacious surveillance, and increasing commodification of ...
Sheryl‐Ann Simpson
wiley   +1 more source

Framing “African”: Music, Dance, and the Politics of Identity in Guyana's Emancipation Day Celebrations

The Journal of Latin American and Caribbean Anthropology, Volume 31, Issue 3, September 2026.
ABSTRACT Emancipation Day commemorates the end of slavery and is observed annually by African Guyanese on the first Monday in August. Celebrations provide a space to honor ancestors, express gratitude, mourn, and engage in cultural rejuvenation through communal activities such as night vigils, libation ceremonies, drumming, dancing, and pilgrimages to ...
Gillian Richards‐Greaves
wiley   +1 more source

An Examination of Cultural Transformation in Türkiye After 1980 in the Context of “Neoliberal Governmentality”

Sociology Lens, Volume 39, Issue 3, Page 522-542, September 2026.
ABSTRACT The January 24 Decisions of 1980 and the subsequent Özal era marked a profound rupture, carrying Türkiye from an import substitution economy to an outward‐oriented, “free‐market” order. Drawing on Michel Foucault's concept of neoliberal governmentality, this study conducts a qualitative, interpretivist discourse analysis of Turgut Özal's ...
Muhammed Salim Danış
wiley   +1 more source

“This is the Work I'm Most Proud of”: K‐Pop Fandom and Children's Multilingual Literacy Practices

The Modern Language Journal, Volume 110, Issue 3, Page 827-843, Autumn (Fall) 2026.
ABSTRACT This paper examines how children's affective investments in K‐pop generated sustained multilingual literacy practices in an arts‐based bookmaking project. Drawing on Pennycook's concept of language assemblages and Norton's investment framework, and informed by Paris and Alim's distinction between heritage and community practices, we analyse ...
Julie Choi, Rafaela Cleeve Gerkens
wiley   +1 more source

Program - The Eighth Symposium on Worship and Church Music at Calvin College & Seminary [PDF]

, 1995
The Symposium on Worship and Church Music at Calvin College and Seminary aims to bring together worship leaders and planners, pastors and laypersons, artists and musicians from many church traditions for times of learning, discussion, and fellowship ...
Calvin Symposium on Worship Planning Committee
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National Relics: Secular Sacrality, Museums, and Heritage‐Making in Nineteenth‐Century Chile

Museum Anthropology, Volume 49, Issue 2, Fall 2026.
ABSTRACT This article examines how objects and bodily remains are transformed and ritualized into national relics through collecting and exhibiting practices in museums. Focusing on nineteenth‐century Chile, it draws on archival sources, material culture theory, and the anthropology of religion to argue that objects associated with Chile's nation‐state
Hugo Rueda Ramírez
wiley   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

Renaissance Studies, Volume 40, Issue 4, Page 712-738, September 2026.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source