Results 131 to 140 of about 3,092,775 (221)

Records of the International Society For Contemporary Music

open access: yes, 1973
This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete.
International Society For Contemporary Music
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Contemporary musical expression in Anglican Churches of the Diocese of Cape Town developments since the liturgical, theological and social revolutions of the twentieth century [PDF]

open access: yes, 2012
Includes bibliographical references.The broader purpose of this study is to investigate musical change in relation to theological and liturgical change.
Bethke, Andrew-John
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Historical and theological foundations of instrumental and vocal music in contemporary evangelical worship

open access: yesCollection of scientific works “Notes on Art Criticism
This study aimed to define the historical and theological foundations of instrumental and vocal music in contemporary evangelical worship, as well as their role in shaping the spiritual experience of believers. The methodological framework integrated cultural, theological, sociocultural, and musicological approaches, facilitating an examination of the ...
openaire   +1 more source

The Impact of Digital Worship Platforms on Contemporary Christian Music and Congregational Engagement

open access: yes
The rise of digital worship platforms has significantly reshaped how contemporary Christian music is distributed, experienced, and engaged with by congregations worldwide. These platforms, including streaming services, social media, and live-streamed church services, have made Christian music more accessible and widespread than ever before.
openaire   +2 more sources

A Sunlit Ambience: How Reverb Pedals Influence the Contemporary Worship Music Imagination

open access: yesYale Journal of Music & Religion
With the recent proliferation of scholarship on the musical elements of Contemporary Worship Music (CWM) in addition to ethnographies exploring the tradition’s inner machinations, readers now enjoy unprecedented levels of insight into the actions of human actors and their music. But what of CWM’s non-human actors?
openaire   +1 more source

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