Results 151 to 160 of about 543 (182)
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Mainline Protestantism and Contemporary versus Traditional Worship Music
2015This chapter explores the ways American mainline pastors, musicians, and laypeople navigate the divergent media economies of hymnody and popular music and accommodate both by creating multiple worship services—shared by a single congregation—that reflect the aesthetics and symbolic resonances of each repertoire.
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For Evangelical Christians in North America, the contemporary worship music industry is the primary source of music for radio play, private devotion, and Sunday morning worship services (Ingalls 2018). As the industry has developed, it has become increasingly difficult for women to pursue musical leadership (Loepp Thiessen 2022).
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Reflection on the Paradigms of Music in the Contemporary Worship Renewal
Theology and Praxis, 2022openaire +1 more source
“Church is the New Radio”: Worship and the WOW Series (1996–2019)
Liturgy, 2023Deborah Ann Wong
exaly
Theology
This article examines how contemporary worship music’s (CWM’s) emphasis on personal emotion over biblical content affects congregational spiritual formation. While offering genuine benefits for emotional engagement, CWM’s predominant focus on subjective experience may undermine biblical literacy and theological understanding.
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This article examines how contemporary worship music’s (CWM’s) emphasis on personal emotion over biblical content affects congregational spiritual formation. While offering genuine benefits for emotional engagement, CWM’s predominant focus on subjective experience may undermine biblical literacy and theological understanding.
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Specifics of Reception of Contemporary Worship Music by the Pentecostal Community in Modern Russia
Religiovedenie, 2022openaire +1 more source