Results 31 to 40 of about 1,441,003 (237)
Using digital and hand printing techniques to compensate for loss: re-establishing colour and texture in historic textiles [PDF]
, 2008 Conservators use a range of 'gap filling' techniques to improve the structural stability and presentation of objects. Textile conservators often use fabric supports to provide reinforcement for weak areas of a textile and to provide a visual infill in ...
Ahmon J. +21 more
core +1 more source
The Englishness of English Sedilia
British Art Studies, 2017 Sedilia are the ceremonial seats of the priest, deacon, and subdeacon placed to the south of the altar. In Gothic church architecture, they typically take the form of three deep niches, recessed into the thickness of the wall, surmounted by arches and ...
James Alexander Cameron
doaj +1 more source
Image Sources: A guide to finding photographs, pictures and graphics [PDF]
, 2021 A Library Research Guide to finding and using print, electronic and web images for use in ...
Chris Fowler
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Contextualizing the Cappella Cesi: Sangallo, Façades, and Renaissance Collaboration
Renaissance Studies, EarlyView.Abstract This article reframes Antonio da Sangallo the Younger's oft‐overlooked cappella Cesi nave façade in Santa Maria della Pace not as an isolated design deviation but as part of a broader architectural and artistic conversation among major players in early sixteenth‐century Rome.
Alexis Culotta
wiley +1 more source
Disciplining the Digital: Virtual 3D Reproduction, Pilgrim Badges, and the Stuff of Art History
British Art Studies, 2017 A group of respondents discuss the implications of using 3D imaging technology in for accessibility, teaching, and research. This Conversation brings together a polyphony of voices, drawn from a range of positions in the small but growing world of ...
Amy Jeffs +10 more
doaj +1 more source
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Renaissance Studies, EarlyView.Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
Philosophy as a vanitas: Lyotard’s exploded Sublime
Itinera, 2021 French philosopher Jean-François Lyotard’s changing concepts of the sublime (after Immanuel Kant) are traced here. Overriding normative responses to Lyotard’s Artforum texts on the sublime of the later 1980s, I argue for a fulcrum moment shared with ...
Sarah Wilson
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A moment in time: from the digital record of a migrating library [PDF]
, 2005 This paper draws on the work of the Arts & Humanities Research Council-funded Glasgow Cassirer Project, which makes correspondence and documents relating to the German philosopher Ernst Cassirer (1874-1945) available online. The paper concentrates on
Whitaker, G.
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Business Strategy and the Environment, Volume 35, Issue 1, Page 967-1002, January 2026.ABSTRACT This article examines whether and how patenting advances circular innovation and therefore contributes to the sociotechnical transition toward a circular economy. Using the multilevel perspective (MLP) as a theoretical framework, we conducted a case study set in the empirical context of man‐made cellulosic fibers. These heavily patented fibers
Ulla A. Saari +4 more
wiley +1 more source
Introduction: the resonant object [PDF]
Journal of Art Historiography, 2019 This introductory paper introduces The Resonant Object, a special issue of the Journal of Art Historiography which honours the intellectual legacy of Charles W.
Amy K. Hamlin, Robin Schuldenfrei
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