Results 211 to 220 of about 100,185 (258)
Some of the next articles are maybe not open access.

Creativity as a Sociocultural Act

The Journal of Creative Behavior, 2015
AbstractThe present article introduces, develops, and illustrates a perspectival framework for the creative process drawing on current developments within the cultural psychology of creativity and the social theory of George Herbert Mead. The creative process is conceptualized as a form of action by which actors, materially and symbolically, alone and ...
openaire   +2 more sources

Editing as Creative Act

Textual Cultures, 2022
The following is a provocation inspired by my own imagined conversations with the works of five makers and thinkers who have all profoundly shaped my outlook at different times over the last twenty years. These are the American scholar and cultural theorist Laura Harris; the French theatre maker and educator Jacques Lecoq; the British cultural ...
openaire   +2 more sources

The Creativity of Acting

2009
In the last sixty years, ‘creativity’ has emerged as a buzzword, ‘hot’ topic, and scholarly subject. In light of this unprecedented interest, this thesis aims to address the paucity of rigorous academic and professional enquiry in the West into what constitutes the creativity of stage acting. The argument is made that there are two distinct contexts in
openaire   +1 more source

God’s Will and the Creative Act:

This chapter examines Origen of Alexandria’s account of creation and its resonances with the notion of līlā . To explain creation, Origen appeals to both divine exemplarism and the “will of God,” which he identifies with the Son, or Logos .
openaire   +1 more source

Supporting creative acts beyond dissemination

Proceedings of the 6th ACM SIGCHI conference on Creativity & cognition - C&C '07, 2007
In this workshop, we describe and expose the mysterious creative process. We discuss models (both classical and contemporary) of creative practice and experience and their potential application to new media arts and technology. Models that connect the roles of creator and viewer/participant are of particular interest.
David A. Shamma, Ryan Shaw 0001
openaire   +1 more source

Education for the creative act

Architectural Research Quarterly, 2000
Architects are, with few exceptions, ‘school trained’. This paper traces the history of the relationship between architectural education and practice. It describes the approaches developed at Cambridge and the Bartlett in the 1960s - and the theories that each embodied: one based on architecture as a cultural manifestation and the other governing the ...
openaire   +1 more source

Home - About - Disclaimer - Privacy