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Critical Pedagogy of Listening
2016Practicing critical pedagogy calls teacher and student into confrontation with neoliberal popular culture. But what is less clear, from a disciplinary point of view, is how and where this confrontation takes places. This application of critical pedagogy in higher education music classrooms requires the development of disciplinary specific skill-sets ...
Michael B Macdonald
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Situated Listening: Partial Perspectives and Critical Listening Positionality
Acoustic Ecology Review, 2023Critical listening positionality, as theorized by sound studies scholar, Dylan Robinson, points to the way in which our identities and histories shape what and how we hear. In his 2020 publication, “Hungry Listening,” Robinson remarks of Deep Listening, the practice of sonic attunement developed by composer Pauline Oliveros: “in my experience the ...
Stephanie Loveless, Freya Zinovieff
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“Developing Critical Listening”
Resonance, 2022The mid-1930s saw broadcasters, educators, and researchers coalesce around the study and implementation of critical listening for educational radio as a new technology for school instruction. These early media literacy researchers were motivated by ambitions to counter distracted and passive listening caused by commercial radio, advertising, and ...
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A Critical Evaluation of Listening Tests
Academic Therapy, 1988Specific factors that can affect the evaluation of listening capacity are examined.
Jeanne M. Burns, Donald J. Richgels
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Hearing Protection For The Critical Listener
Acoustic Ecology Review, 2023Hearing is one of our most important senses; the one, it can be argued, without which our lives are most impacted (Gasaway, 1996). For critical listeners and acoustic ecologists, hearing has special significance. Since relatively modest changes may effect our aural perceptions and the enjoyment we derive from the aesthetic and professional ...
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Listening to Silences: New Essays in Feminist Criticism.
American Literature, 1996Listening to Silences: New Essays in Feminist Criticism. Elaine Hedges and Shelley Fisher Fishkin, editors. New York: Oxford University Press, 1994. vii + 326 pages. As Hedges and Fishkin write in their introduction to Listening to Silences, the volume "is intended both to trace a genealogy and to offer a spectrum of the ways in which contemporary ...
Barbara Frey Waxman +2 more
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Critical Thinking and Music Listening
Music Educators Journal, 1989How can teachers encourage students to use critical thinking to develop listening skills? Lenore Pogonowski, department chairperson for the arts in education at Teachers College Columbia University in New York, believes that dialogues that involve students in analysis can help them become better listeners and musicians.
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Critical Listening for Critical Conversations
English Journal, 2021Melissa Schieble +2 more
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