Results 121 to 130 of about 18,359 (245)

Kubism™: Picasso, Trademarks and Bouillon Cube

open access: yesArts
Pablo Picasso’s Landscape with Billboards (1912) evinces a deep and complex relationship with emergent trademark and related intellectual property law in France. Among the three trademarked logos featured prominently in the work is that for Bouillon Kub.
Noam M. Elcott
doaj   +1 more source

Buying Beauty: On Prices and Returns in the Art Market [PDF]

open access: yes
This paper investigates the evolution of prices and returns in the art market since the middle of the previous century. We first compile a comprehensive list of more than 10,000 artists and then build a dataset that contains information on more than 1.1 ...
Renneboog, L.D.R., Spaenjers, C.
core   +1 more source

Between the ideal and the reality: The human body through the eyes of European artists [PDF]

open access: yes, 2015
The human body has always been one of the most important subjects for European artists. But the way it is displayed in art has varied in different epochs.
WAŁEK, Janusz
core   +1 more source

Neuropsychiatry and Neural Cubism

open access: yesAcademic Medicine, 2015
The art movement known as Cubism did not represent a failure of perspective but, rather, was a movement aimed at advancing art by juxtaposing different perspectives. In this issue, Taylor and colleagues describe the current approach by neurologists and psychiatrists to patients with brain disorders as "Neural Cubism" because of the competing angles of ...
openaire   +4 more sources

Artistic Clusters and Modern Artists’ Mobility - An Empirical Study [PDF]

open access: yes
Based on a global sample of the 214 most prominent modern visual artists born between 1850-1945, this paper analyses the extent of mobility and the determinants of the decision to locate in the artistic clusters of Paris and New York.
Christiane Hellmanzik, Department of Economics and IIIS, Trinity College Dublin
core  

Co-Authoring Advanced Art [PDF]

open access: yes
The joint production of paintings by more than one artist was not uncommon in the past: a number of Old Masters had assistants do much of the work on their paintings, executing images that had been planned by the master.
David Galenson
core  

Picasso : pointillisme et cubisme

open access: yesRevue de l'art, 1991
Coellier Sylvie. Picasso : pointillisme et cubisme. In: Revue de l'Art, 1991, n°92. pp. 64-71.
openaire   +2 more sources

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