Results 11 to 20 of about 18,359 (245)
The Ontographic Turn: From Cubism to the Surrealist Object
The practice of Ontography deployed by OOO, clarified and expanded in this essay, produces a highly productive framework for analyzing Salvador Dalí’s ontological project between 1928 and 1935. Through the careful analysis of paintings and original texts
Weir Simon, Dibbs Jason Anthony
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Advantages of Cubism and its implications in graphic design
Cubism, with its philosophical and technical character at the same time, is based on formal outcomes that are compatible with the paths of formal formations in design as one of the applied arts.
Noor Saad Hashem, Naeem Abbas Hassan
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Learning from Temporal Spatial Cubism for Cross-Dataset Skeleton-based Action Recognition [PDF]
Rapid progress and superior performance have been achieved for skeleton-based action recognition recently. In this article, we investigate this problem under a cross-dataset setting, which is a new, pragmatic, and challenging task in real-world scenarios.
Yansong Tang +5 more
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Accurate Calculation of Electron Paramagnetic Resonance Parameters for Molybdenum Compounds. [PDF]
Using a curated database of experimentally characterized, biologically relevant Mo(V) compounds, this study evaluates the optimal choice of basis sets, density functionals, and wavefunction methods for accurately computing g‐tensor values and 95Mo hyperfine coupling constants, with the goal of establishing reliable protocols for predicting electron ...
Drosou M +3 more
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Cubism in creative activity of Le Corbusier (Tomsk)
The article is devoted to the early creative activity of the outstanding French architect Charles-Édouard Jeanneret known as Le Corbusier. His move to Paris can be explained by the increased professional and creative ambitions, spiritual maturation of ...
E. Polyakov, О. Р. Polyakova
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Learning from cubism to understand the reality of hemodynamics. [PDF]
Cubism, a school of thought departing from historical artistic movements, synthesized multiple different viewpoints from varying distances and angles to create a summative and more complete depiction of a single object [1].
Stankiewicz J, Jeyaraju M, McCurdy MT.
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Second Stage of Visual Perception and Picasso’s Cezannian Cubism
Palmer (1999) describes a sequence of four basic stages for visual perception: an im-age-based phase that deals with extracting image structure (primal sketch), a surface-based level which concerns itself with recovering surfaces in depth (2.5 ...
E. Mallen
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It is seen that art has been interpreted in different ways by passing periods throughout history. In order to get out of the current situation, to gain a new search and attitude, an art movement was either born as a reaction to another art movement or ...
Ebru Çoruh, Figen Köse
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Avant-Garde and Kitsch in María Blanchard’s Neo-Cubism
The exceptionality of the women artists who achieved recognition within the circles of the avant-garde in the first decades of the twentieth century involved a number of performative strategies to avoid the risk of being confined to the category of ...
Xon De Ros
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The Style of Cubism in the Works of the Ukrainian Battalist Artist Leonid Perfetsky
The purpose of the work is to investigate the influence of modernism artistic currents, in particular cubism, in the work of the Ukrainian battle artist L.
Zhanna Denysiyuk
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