Results 1 to 10 of about 149,804 (212)
Bishnuprasad Rabha as Cultural Icon of Assam: The Process of Meaning Making [PDF]
The term ‘cultural icon’ is generally used to refer to individuals or images, objects, visual sign, monuments, space etc. In semiotics the term ‘icon’ is used to refer to a sign that bears close resemblance to the object that it stands for.
Parismita Hazarika, Debarshi Prasad Nath
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This issue of Academic Quarter on the topic of Icon brings together scholars from film and media history, art history, literary history, imagology, cultural semiotics, star studies, fashion studies and cultural studies, initiating a further exploration ...
Bent Sørensen, Helle Thorsøe Nielsen
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Reanalyzing Schotanus 2020: A reaction to Lee's commentary
In his commentary on Schotanus 2020 "Singing and Accompaniment Support the Processing of Song Lyrics and Change the Lyrics", Lee (2020) discusses several methodological issues related to this article, proposes a reanalysis of part the data, and asks for ...
Yke Schotanus
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The Icon, a Hexadic Analysis [PDF]
The present paper brings forward an analysis of the Orthodox icon, made by deploying the model of semi-logical hexade which describes the situation of creative communication.
Cristina Stratulat
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Singing and Accompaniment Support the Processing of Song Lyrics and Change the Lyrics' Meaning
A growing body of evidence indicates that music can support the processing of language. Some of its beneficial effects may even occur after one exposure.
Yke Schotanus
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Storie di icone. Dall'icona all'icona culturale
The aim of this article is to outline the path of growth and development that proceeds from the icon to the cultural icon, defining its semiotic status and describing the specificities of its formation.
Mauro Ferraresi
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Local Flows: The Pleasure-centric Turn in Human Rights Advocacy in South Asia
This paper examines localized activism conducted through Anglophone Kashmiri literary fiction and by South Asian feminist social justice movements such as 'Girls at Dhabas' and 'Why Loiter', in order to analyze the emergence of a pleasure-centric model ...
Rakhshan Rizwan
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Adebáyọ̀ Fálétí: The Passing of a Cultural Icon
Through the open door of the room next to the editing suite at the offices of Mainframe Productions, near Oshodi, Lagos, a figure dressed in colorful agbada is visible, hunched over papers and books.
Akin Adeṣọkan
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Digital scenography and the mimetic aporia of Richard Wagner's Ring Cycle
This article explores the visual friction between the concealment of technology and the need to stage mimetic scenes in Richard Wagner's Der Ring des Nibelungen. The article relies on the critical reception of the Wagnerian Gesamtkunstwerk in musicology,
Jason R. D’Aoust
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Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans [PDF]
This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela ...
Brajović Saša, Erdeljan Jelena
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