Results 11 to 20 of about 13,154 (263)
Institutional Certainty and Curatorial Ambiguity: The Whitney Biennial
OBOE, 2021 The rise of more critical and radical political debates has made museums intensely risk-averse such that self-regulation, self-censorship, and most importantly pure self-preservation have become the foundations of museum operations. Whereas the 1990s and
Jens Hoffmann
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Proceedings of the American Society for Information Science and Technology, 2010 AbstractWe are introducing to the ASIS&T community what will be, to date, the most extensive study of data practices for astronomy and astrophysics from the Information Science field. We approach astronomy data curation with three questions: 1) What are the data management, curation, and sharing practices of astronomers and astronomy data centers ...
David S. Fearon Jr. +3 more
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A Riot of Our Own: a reflection on agency [PDF]
The Open Arts Journal, 2014 The article is a reflection on the exhibition A Riot of Our Own, an archival narrative on the Rock Against Racism Movement (RAR) that ran between 1976 and 1981.
Carol Tulloch
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Plastic Heart: Surface All the Way Through
Open Library of Humanities, 2023 This article explores the exhibition Plastic Heart: Surface All the Way Through. Curated by the Synthetic Collective, the exhibition emerged from a scientific study aimed at tracking plastic pellet pollution on the strandlines of beaches of the Great ...
Kirsty Mairi Robertson
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Curators Serving the Public Good
Philosophies, 2021 This article investigates a principle inscribed at the top of most codes of ethics for curators: they should always “serve the public good.” No self-respecting curator would ever admit to serve “the private good,” that is, the good of the few, whether ...
Jean-Paul Martinon
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Introduction: Curating Feeling
19, 2016 This introduction discusses the process of ‘curating feeling’ in response to the ‘Fallen Woman’ exhibition curated by Lynda Nead at the Foundling Museum in 2015. It uses this idea to reflect on both the historical specificity of Victorian emotion and the
Victoria Mills
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'Together We Curate': Cultural Participation and Collective Curating
Museum & Society, 2023 In the frame of the museums’ reflexive and participatory turn and given that curation has rarely been used as an inclusive practice, the co-curating program 'Together We Curate', initiated by the MOMus-Experimental Center for the Arts (Thessaloniki ...
Niki Nikonanou, Thouli Misirloglou
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Curating in Cuba: From Advertisement Websites to Night Spaces
Karib, 2019 “Curating in Cuba: from Advertisement Websites to Night Spaces” proposes that newly established socio-commercial spaces in Cuba are more appropriate to exhibit projects of contemporary art than traditional state-owned galleries and museums.
Stephanie Noach
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Curating Inclusive Cities through Food and Art
Multimodal Technologies and Interaction, 2018 Flavours of Glenroy (2013–4) was an action research project where artists imagined mobile edible gardens as a way to connect and engage with locals through project presentation and execution.
Tammy Wong Hulbert
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Staying in Touch: case study of artistic research during the COVID-19 lock-down
Artnodes, 2021 In April 2020, artists Robertina Šebjanič, Louise Mackenzie, Karolina Żyniewicz and Isabel Burr Raty were invited by Dalila Honorato to develop research on the theme of “Staying in Touch: post-coronavirus art curating” as part of the collaborative ...
Louise Mackenzie +4 more
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