Results 11 to 20 of about 69,446 (302)
Journal for Art Market Studies, 2018 This article examines the exhibitions and sales of Yuanmingyuan (or ‘Summer Palace’) loot taken from China in October 1860 by two soldiers in the Anglo-French armies – James Bruce, 8th Earl of Elgin (1811-1863) and Captain Jean-Louis de Negroni (b.1820).
Louise Tythacott
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Institutional Certainty and Curatorial Ambiguity: The Whitney Biennial
OBOE, 2021 The rise of more critical and radical political debates has made museums intensely risk-averse such that self-regulation, self-censorship, and most importantly pure self-preservation have become the foundations of museum operations. Whereas the 1990s and
Jens Hoffmann
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A Riot of Our Own: a reflection on agency [PDF]
The Open Arts Journal, 2014 The article is a reflection on the exhibition A Riot of Our Own, an archival narrative on the Rock Against Racism Movement (RAR) that ran between 1976 and 1981.
Carol Tulloch
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New media art, participation, social engagement and public funding [PDF]
, 2013 This article investigates the current condition of new media art in Britain, examining how cuts to arts funding have affected the art form's infrastructure and capacity for survival and growth. It considers media art in relation to other contemporary art
Chatzichristodoulou, Maria
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Plastic Heart: Surface All the Way Through
Open Library of Humanities, 2023 This article explores the exhibition Plastic Heart: Surface All the Way Through. Curated by the Synthetic Collective, the exhibition emerged from a scientific study aimed at tracking plastic pellet pollution on the strandlines of beaches of the Great ...
Kirsty Mairi Robertson
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Curators Serving the Public Good
Philosophies, 2021 This article investigates a principle inscribed at the top of most codes of ethics for curators: they should always “serve the public good.” No self-respecting curator would ever admit to serve “the private good,” that is, the good of the few, whether ...
Jean-Paul Martinon
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Introduction: Curating Feeling
19, 2016 This introduction discusses the process of ‘curating feeling’ in response to the ‘Fallen Woman’ exhibition curated by Lynda Nead at the Foundling Museum in 2015. It uses this idea to reflect on both the historical specificity of Victorian emotion and the
Victoria Mills
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'Together We Curate': Cultural Participation and Collective Curating
Museum & Society, 2023 In the frame of the museums’ reflexive and participatory turn and given that curation has rarely been used as an inclusive practice, the co-curating program 'Together We Curate', initiated by the MOMus-Experimental Center for the Arts (Thessaloniki ...
Niki Nikonanou, Thouli Misirloglou
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Curating in Cuba: From Advertisement Websites to Night Spaces
Karib, 2019 “Curating in Cuba: from Advertisement Websites to Night Spaces” proposes that newly established socio-commercial spaces in Cuba are more appropriate to exhibit projects of contemporary art than traditional state-owned galleries and museums.
Stephanie Noach
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Curating Inclusive Cities through Food and Art
Multimodal Technologies and Interaction, 2018 Flavours of Glenroy (2013–4) was an action research project where artists imagined mobile edible gardens as a way to connect and engage with locals through project presentation and execution.
Tammy Wong Hulbert
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