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Bioinspired nanoparticles prevent blue-light-induced skin hyperpigmentation via FZD2-TYR-melanin pathway. [PDF]
Chen X +16 more
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Chromosome-scale genome assembly of the European common cuttlefish Sepia officinalis
Rencken S +5 more
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Trends in Cognitive Sciences, 2002
The 7th Neural Computation and Psychology Workshop was held at the University of Sussex, Brighton, on 17-19 September 2001. The theme was 'Connectionist Models of Cognition and Perception'.
Peter, Hancock, Richard, Shillcock
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The 7th Neural Computation and Psychology Workshop was held at the University of Sussex, Brighton, on 17-19 September 2001. The theme was 'Connectionist Models of Cognition and Perception'.
Peter, Hancock, Richard, Shillcock
openaire +2 more sources
Visual perception and cuttlefish camouflage
Current Opinion in Neurobiology, 2020Visual perception is inherently statistical: brains exploit repeating features of natural scenes to disambiguate images that could, in principle, have many causes. A clear case for the relevance of statistical inference in vision is animal camouflage. Although visual scenes are each composed of unique arrangements of pixels, they are usually perceived ...
Reiter, S., Laurent, G.
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Nature, 1959
IT is generally recognized that the cuttlebone not only serves the cuttlefish, Sepia officinalis (L.), as a skeleton but also gives it buoyancy. The cuttlebone contains gas spaces which give it a density of about 0.6. It is also known that cuttlefish kept in aquaria sometimes tend to float at the surface and appear to be lighter than sea water.
E. J. DENTON, J. B. GILPIN-BROWN
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IT is generally recognized that the cuttlebone not only serves the cuttlefish, Sepia officinalis (L.), as a skeleton but also gives it buoyancy. The cuttlebone contains gas spaces which give it a density of about 0.6. It is also known that cuttlefish kept in aquaria sometimes tend to float at the surface and appear to be lighter than sea water.
E. J. DENTON, J. B. GILPIN-BROWN
openaire +1 more source
I explain why Thomas Wilson likens to cuttlefish those orators who rely too heavily on inkhorn terms. For the sake of comparison, I also discuss how Renaissance critics use other creaturely metaphors—eels, snakes, devils, and oxen—to impugn bad ...
Ryan J. Stark
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