Results 11 to 20 of about 107 (80)

FRANCUSKIE PRAWO HANDLOWE NA PRZEŁOMIE XIX I XX WIEKU. KODEKS HANDLOWY NAPOLEONA Z 1807 R. A JEGO DEKODYFIKACJA

open access: yesZeszyty Prawnicze, 2016
French Commercial Law at the Turn of the XXth Century. The Code of Napoleon from 1807 and its Decodification Summary The French „Code de Commerce” of 1807 is one of five legal acts known as the great napoleonian codifications.
Anna Klimaszewska
doaj   +1 more source

De la lingüística oracional a la supraoracional

open access: yesEstudios de Lingüística, 1983
The object of this paper is twofold: on the one hand, to establish a paralelism between sentence linguistics and textual linguistics through the dichotomies of grammaticality/acceptability and cohesion coherence, and on the other hand, to ...
Enrique Alcaraz Varó
doaj   +1 more source

Proverbs as a Communication Strategy: (De)codification of Meaning and Pragmatic-Discursive Function

open access: yesStudia Romanica Posnaniensia, 2014
The aim of this paper is to provide a comprehensive, theoretical overview of how proverbs are used as a communicative and discursive strategy, taking into account the speaker’s communicative intention. I will pay attention both to the benefits of the use
Xavier Pascual López
doaj   +1 more source

Unity and diversity in communication: inevitable, permanent co-habitation, harmonious co-existence or two forces waiting to converge?

open access: yesIlha do Desterro, 2003
http://dx.doi.org/10.5007/2175-8026.2003n44p189 It is hard to approach the topic “unity and diversity in communication” without seeing in it a convergence of anatagonic forces at least from two perspectives, not only because of the conjunction “and ...
Maria da Graça Lisboa Castro Pinto
doaj   +3 more sources

Rogério Duarte's Tropicália in "Caetano Veloso" and "Gilberto Gil" (1968)

open access: yesProjetica, 2018
This paper consists on the decodification of Rogério Duarte’s Tropicália visual aspects in two of his graphic works: the album covers of "Caetano Veloso" (1968) and "Gilberto Gil" (1968).
Fernando dos Santos Almeida   +2 more
doaj   +1 more source

Cadence as a “Metaphor of Instability” and “Conclusive Unity”: A Brief Excursus Between Grammar and Music

open access: yesOpus, 2019
The structural development of what we understand as cadence has a long and complex history associated with an awareness and appreciation of musical elements assimilated by a decodification process that is related to adapted morphology.
Carlos Cascarelli Iafelice
doaj   +1 more source

Putting Continuous Metaheuristics to Work in Binary Search Spaces

open access: yesComplexity, Volume 2017, Issue 1, 2017., 2017
In the real world, there are a number of optimization problems whose search space is restricted to take binary values; however, there are many continuous metaheuristics with good results in continuous search spaces. These algorithms must be adapted to solve binary problems.
Broderick Crawford   +6 more
wiley   +1 more source

La dénomination des adoptés à la fin de la République romaine, décodification d’une pratique sociale ?

open access: yesDialogues d'Histoire Ancienne, 2016
Naming Adopted Children at the End of the Roman Republic: a De-codification of Social Practices? Under Roman Republic the rules of Roman nomenclature were strictly codified. The rules of adoptive nomenclature made no exception.
Robinson Baudry
doaj   +1 more source

Power Considerations in Banked CAMs: A Leakage Reduction Approach

open access: yesVLSI Design, Volume 2008, Issue 1, 2008., 2008
The content‐based access of CAMs makes them of great interest in lookup‐based operations. However, the large amounts of parallel comparisons required cause an expensive cost in power dissipation. In this work, we present a novel banked precomputation‐based architecture for low‐power and storage‐demanding applications where the reduction of both dynamic
Pedro Echeverría   +3 more
wiley   +1 more source

Althea Gyles’ Symbolic (De)Codification of William Butler Yeats’ ‘Rose and Wind Poetry’

open access: yesStudi Irlandesi, 2011
In 1897, Yeats’s The Secret Rose was published in London by Lawrence & Bullen, while two years later, in 1899, the London editor Elkin Mathews published The Wind Among the Reeds.
Arianna Antonielli
doaj   +1 more source

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