Results 41 to 50 of about 430 (178)
The Knowledge of Art. The Aesthetic Experience in Nietzsche
Ideas y Valores, 2008 Nietzsche's reflection on art extends throughout his philosophical work. From the early claim of an “artist's metaphysics” to the late considerations that see in art the privileged form of the Will to Power, Nietzsche makes his attempt to overcome ...
Luis Eduardo Gama
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As criações do gênio: Ambivalências da "metafísica da arte" nietzschiana
Kriterion, 2009 As criações do gênio apolíneo-dionisíaco estão no centro das preocupações da metafísica de artista, e suscitam a questão acerca do vínculo de Nietzsche com a estética do Romantismo Alemão e de Schopenhauer.
Clademir Luís Araldi
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Bouc et mystères : Pan, télétarque dionysiaque
MythosThe goat traditionally sacrificed to Dionysus could evoke Pan's presence in the Dionysian thiase, where he mingles with a theriomorphic crowd without diluting his singularity.
Émilie Borron
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Nietzsche and Schiller on Aesthetic Distance
European Journal of Philosophy, Volume 33, Issue 2, Page 562-576, June 2025.Abstract A key contention of Nietzsche's philosophy is that art helps us affirm life. A common reading holds that it does so by paving over, concealing, or beautifying life's undesirable features. This interpretation is unsatisfactory for two main reasons: Nietzsche suggests that art should foreground what is ‘ugly’ about existence, and he sees ...
Timothy Stoll
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Matching Game Preferences Through Dialogical Large Language Models: A Perspective
Applied SciencesThis perspective paper explores the future potential of “conversational intelligence” by examining how Large Language Models (LLMs) could be combined with GRAPHYP’s network system to better understand human conversations and preferences.
Renaud Fabre +2 more
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Богословські роздуми: Східноєвропейський журнал богословʼя, 2016 This essay will argue that the heritage of Pseudo-Dionysius the Areopagite represents the most living and widespread influence of Neoplatonic ideas in the Eastern Orthodox tradition.
Vladimir KНARLAMOV
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Nietzsche on art as the good will to appearance
Philosophy and Phenomenological Research, Volume 110, Issue 3, Page 1071-1082, May 2025.Abstract Nietzsche makes a number of remarks that suggest that he thinks that art and truth are antithetical – indeed that he thinks that the value of art lies in its falsification of aspects of the world that would otherwise prove unbearable. ‘Truth is ugly,’ he says: ‘We possess art lest we perish of the truth.’ But the argument of the present paper ...
Aaron Ridley
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The Word is not Enough: Symbol, Myth, and Ritual in Hofmannsthal’s Libretto for Arabella
Muzikološki Zbornik, 2015 Michael Steinberg claims that the Strauss-Hofmannsthal operas are successful because Hofmannsthal’s fixed, or ‘Apollonian’ libretto is counteracted by Strauss’s dynamic, or ‘Dionysian’ music.
Marc Brooks
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Titian's Bacchus and His Two Loves
Renaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
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