Results 51 to 60 of about 2,541 (170)
As criações do gênio: Ambivalências da "metafísica da arte" nietzschiana
Kriterion, 2009 As criações do gênio apolíneo-dionisíaco estão no centro das preocupações da metafísica de artista, e suscitam a questão acerca do vínculo de Nietzsche com a estética do Romantismo Alemão e de Schopenhauer.
Clademir Luís Araldi
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Nietzsche and Schiller on Aesthetic Distance
European Journal of Philosophy, Volume 33, Issue 2, Page 562-576, June 2025.Abstract A key contention of Nietzsche's philosophy is that art helps us affirm life. A common reading holds that it does so by paving over, concealing, or beautifying life's undesirable features. This interpretation is unsatisfactory for two main reasons: Nietzsche suggests that art should foreground what is ‘ugly’ about existence, and he sees ...
Timothy Stoll
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Bouc et mystères : Pan, télétarque dionysiaque
MythosThe goat traditionally sacrificed to Dionysus could evoke Pan's presence in the Dionysian thiase, where he mingles with a theriomorphic crowd without diluting his singularity.
Émilie Borron
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Nietzsche on art as the good will to appearance
Philosophy and Phenomenological Research, Volume 110, Issue 3, Page 1071-1082, May 2025.Abstract Nietzsche makes a number of remarks that suggest that he thinks that art and truth are antithetical – indeed that he thinks that the value of art lies in its falsification of aspects of the world that would otherwise prove unbearable. ‘Truth is ugly,’ he says: ‘We possess art lest we perish of the truth.’ But the argument of the present paper ...
Aaron Ridley
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Matching Game Preferences Through Dialogical Large Language Models: A Perspective
Applied SciencesThis perspective paper explores the future potential of “conversational intelligence” by examining how Large Language Models (LLMs) could be combined with GRAPHYP’s network system to better understand human conversations and preferences.
Renaud Fabre +2 more
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Богословські роздуми: Східноєвропейський журнал богословʼя, 2016 This essay will argue that the heritage of Pseudo-Dionysius the Areopagite represents the most living and widespread influence of Neoplatonic ideas in the Eastern Orthodox tradition.
Vladimir KНARLAMOV
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Titian's Bacchus and His Two Loves
Renaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
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The Word is not Enough: Symbol, Myth, and Ritual in Hofmannsthal’s Libretto for Arabella
Muzikološki Zbornik, 2015 Michael Steinberg claims that the Strauss-Hofmannsthal operas are successful because Hofmannsthal’s fixed, or ‘Apollonian’ libretto is counteracted by Strauss’s dynamic, or ‘Dionysian’ music.
Marc Brooks
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Homo Poeta: Rowan Williams and Poetic Anthropology
Modern Theology, Volume 41, Issue 1, Page 96-119, January 2025.Abstract Rowan Williams's trinitarian ontology rests on the affirmation of eros within God and the ‘irreducible otherness’ of the divine persons to one another. The divine persons are accordingly conceived in ek‐static terms as ‘giving more than they are’.
Patrick John McGlinchey
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Records of the Melbourne University Dionysian Society
, 1960 This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/66637 ...
Melbourne University Dionysian Society
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