Results 51 to 60 of about 16,064 (248)

Trans Feminism and the Women's Liberation Movement in Britain, c. 1970–1980

open access: yesGender &History, Volume 37, Issue 2, Page 748-763, July 2025.
Abstract The history of the British women's liberation movement (WLM) is a growing field of study, but it has had little to say about trans participants in the movement. Drawing on feminist and LGBT+ archives and interviews, this article argues that while trans acceptance in ‘women‐only’ groups was not guaranteed during the period between 1970 and 1980,
Sam Caslin
wiley   +1 more source

Theurgy in Dionysius the Areopagite [PDF]

open access: yes, 2019
The present chapter aims at offering insights into Dionysius the Areopagite’s notion of theurgy, both with respect to the metaphysical principles that connect with “θεουργία” and the particular sacramental reality that emerges from it. Pavlos argues that
Pavlos, Panagiotis G.
core  

Pseudo-Dionysius 'Art of Rhetoric' 8-11: Figured speech, declamation, and criticism [PDF]

open access: yes, 2003
This paper considers the date and authorship of chapters 8-11 of the "Art of Rhetoric", falsely attributed to Dionysius of Halicarnassus. Analysis of the two chapters on "figured speech" suggests that chapter 9 is an unfinished attempt by the author of ...
Heath, M.
core   +1 more source

TRAGIŠKOJO JAUSMO INTERPRETACIJA FRIEDRICHO NIETZSCHE'S FILOSOFIJOJE

open access: yesProblemos, 2002
Straipsnyje nagrinėjama tragedijos kilmės bei poveikio samprata Friedricho Nietzsche's filosofijoje. Remiantis filosofo mintimis, sprendžiama klasikinė žmonių susižavėjimo tragedija priežasties problema.
Aušra Polovikaitė
doaj   +12 more sources

Towards a practice-based approach to public innovation – Apollonian and Dionysian practice-approaches

open access: yesNordic Journal of Social Research, 2021
This paper discusses how a practice-based approach to public innovation can provide an alternative, critical means of looking at public innovation.
Fuglsang Lars
doaj   +1 more source

Nietzsche and Schiller on Aesthetic Distance

open access: yesEuropean Journal of Philosophy, Volume 33, Issue 2, Page 562-576, June 2025.
Abstract A key contention of Nietzsche's philosophy is that art helps us affirm life. A common reading holds that it does so by paving over, concealing, or beautifying life's undesirable features. This interpretation is unsatisfactory for two main reasons: Nietzsche suggests that art should foreground what is ‘ugly’ about existence, and he sees ...
Timothy Stoll
wiley   +1 more source

O xaxado como dança dionisíaca a partir da filosofia Nietzscheana The xaxado how to dance dionysian from philosophy Nietzschean

open access: yesMotriz: Revista de Educacao Fisica, 2011
Tendo como referencial teórico as obras do filósofo alemão Friedrich Nietzsche, o objetivo deste artigo foi promover uma discussão, sobre como o modelo apolíneo e dionisíaco e o super-homem, se relacionam com o xaxado, proveniente do cangaço.
Rafael Valladão, Mauricio Fidelis
doaj   +1 more source

Nietzsche on art as the good will to appearance

open access: yesPhilosophy and Phenomenological Research, Volume 110, Issue 3, Page 1071-1082, May 2025.
Abstract Nietzsche makes a number of remarks that suggest that he thinks that art and truth are antithetical – indeed that he thinks that the value of art lies in its falsification of aspects of the world that would otherwise prove unbearable. ‘Truth is ugly,’ he says: ‘We possess art lest we perish of the truth.’ But the argument of the present paper ...
Aaron Ridley
wiley   +1 more source

As criações do gênio: Ambivalências da "metafísica da arte" nietzschiana

open access: yesKriterion, 2009
As criações do gênio apolíneo-dionisíaco estão no centro das preocupações da metafísica de artista, e suscitam a questão acerca do vínculo de Nietzsche com a estética do Romantismo Alemão e de Schopenhauer.
Clademir Luís Araldi
doaj   +1 more source

Titian's Bacchus and His Two Loves

open access: yesRenaissance Studies, Volume 39, Issue 2, Page 237-266, April 2025.
Abstract Titian's Bacchus and Ariadne represents not only Bacchus' attraction to Ariadne, as has long been recognized, but also his infatuation with a boy‐satyr, Ampelos, who struts at the centre of the composition. The little satyr's identity, recognized in the seventeenth century, but overlooked by modern scholars, is confirmed by newly revealed ...
Fern Luskin
wiley   +1 more source

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