Results 51 to 60 of about 17,549 (241)
Studies in 20th & 21st Century Literature, 1978 By making the act of writing itself the subject of their works, the French "New Novelists" must face the questions of the source of the creative drive and the possibility of engaging the reader directly in it.
Robert M. Henkels Jr.
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PROVINCIALISING BERLIN IN MENSCHEN IM HOTEL
German Life and Letters, Volume 79, Issue 1, Page 57-74, January 2026.ABSTRACT In this article, I take the peculiar source of Vicki Baum's Menschen im Hotel (1929) in a Southern Moravian town as a starting point to reveal the ways in which the hierarchies between metropolis and province are negotiated and complicated by the novel.
Meindert Peters
wiley +1 more source
Pseudo-Dionysius 'Art of Rhetoric' 8-11: Figured speech, declamation, and criticism [PDF]
, 2003 This paper considers the date and authorship of chapters 8-11 of the "Art of Rhetoric", falsely attributed to Dionysius of Halicarnassus. Analysis of the two chapters on "figured speech" suggests that chapter 9 is an unfinished attempt by the author of ...
Heath, M.
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Nietzsche at the Deathbed: the Eternal Recurrence as a Counter to the ‘Preaching of Death’
The Heythrop Journal, Volume 66, Issue 6, Page 623-640, November 2025.Abstract In recent scholarship, the dominant reading of Nietzsche’s concept of the eternal recurrence has been as a thought experiment. This paper responds to this in two ways. First, this paper relocates eternal recurrence in the context of Nietzsche’s abiding concern with the ‘preaching of death’, a powerful, life‐negating weapon of the ascetic ...
Mark Higgins
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Mythologeme of the Suffering God in Vyacheslav Ivanov’s Translation of Aeschylus’ Oresteia [PDF]
Studia Litterarum, 2019 Vyacheslav Ivanov developed a mythologeme of the suffering god in Hellenic Religion of the Suffering God and Dionysus and Predionysianism; this mythologeme is at the core of his Dionysian concept. The essay argues that it also influenced his translations
Liia L. Ermakova
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A Biomechanical Model for the Development of Myoelectric Hand Prosthesis Control Systems [PDF]
, 2010 Advanced myoelectric hand prostheses aim to reproduce as much of the human hand's functionality as possible. Development of the control system of such a prosthesis is strongly connected to its mechanical design; the control system requires accurate ...
Boere, Daphne +5 more
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Trans Feminism and the Women's Liberation Movement in Britain, c. 1970–1980
Gender &History, Volume 37, Issue 2, Page 748-763, July 2025.Abstract The history of the British women's liberation movement (WLM) is a growing field of study, but it has had little to say about trans participants in the movement. Drawing on feminist and LGBT+ archives and interviews, this article argues that while trans acceptance in ‘women‐only’ groups was not guaranteed during the period between 1970 and 1980,
Sam Caslin
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Dionysian and Apollonian Portrayed in the movie “Rush”: Psycho-Literature Analysis
Ethical Lingua: Journal of Language Teaching and LiteratureThe aim of this research is to explain how Dionysian and Apollonian concept is portrayed in the main characters, James Hunt and Niki Lauda, of the movie Rush (2013). This research is a qualitative research method.
Jimmi +2 more
semanticscholar +1 more source
Nietzsche and Schiller on Aesthetic Distance
European Journal of Philosophy, Volume 33, Issue 2, Page 562-576, June 2025.Abstract A key contention of Nietzsche's philosophy is that art helps us affirm life. A common reading holds that it does so by paving over, concealing, or beautifying life's undesirable features. This interpretation is unsatisfactory for two main reasons: Nietzsche suggests that art should foreground what is ‘ugly’ about existence, and he sees ...
Timothy Stoll
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Violences, synesthésie et subversions pour une renaissance de la tragédie ?
Cahiers d’Études RomanesMount Olympus by Jan Fabre (2015) highlights the distinction between book and stage, two heterogeneous materials. By transposing the text to the stage, the work undergoes a metamorphosis, becoming a new scenic object. Fabre’s twenty-four-hour performance
Elie Canredon
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