Results 41 to 50 of about 18,132 (209)

Treasures from UCL [PDF]

open access: yes, 2015
UCL has one of the foremost university Special Collections in the UK. It is a treasure trove of national and international importance, comprising over a million items dating from the 4th century AD to the present day.
Furlong, GM
core   +1 more source

MIGRATION, MOBILITY, AND BEING IN TRANSLATION

open access: yesHistory and Theory, Volume 64, Issue 3, Page 396-404, September 2025.
ABSTRACT Drawing on an expanded concept of translation as process and practice, this contribution to the “Translation, Migration, Narrative” forum explores how migrants, as described by scholars such as Paul F. Bandia, embody “translated beings” who are marked both by agency and by constraint.
Peter Schneck, Julie M. Weise
wiley   +1 more source

«Intorno al cor»: l’allegoria di Tre donne come antecedente dell’allegoria della Commedia

open access: yesRhesis, 2013
L’articolo intende mostrare che l’impostazione retorica – narratologica e semantica – della canzone dantesca Tre donne intorno al cor mi son venute, fondata sull’allegoria, possiede già le caratteristiche basilari che serviranno poi a Dante per ...
Juan Varela-Portas de Orduña
doaj   +1 more source

Matelda in the Terrestrial Paradise [PDF]

open access: yes, 2002
This analysis of the enigmatic figure of Matelda, guardian of the Terrestrial Paradise in Dante's Purgatorio, considers both the unresolved question of Matelda's historical identity, in particular whether Dante is alluding to the historical personage ...
Glenn, Diana Cavuoto
core  

Prayer, Participation, and Perfection in Dante's Commedia

open access: yesModern Theology, Volume 41, Issue 3, Page 515-538, July 2025.
Abstract This article stands at the intersection of two theological moments: one recognizing the theological authority of Dante Alighieri, especially in his Commedia, the other examining the relation of the doctrine of prayer to the doctrine of God. It argues that Dante can inform modern theological reflection on this relation in a profound way.
Stephen C. Pepper
wiley   +1 more source

Dante Alighieri no teatro em Portugal: algumas notas sobre uma nova fortuna

open access: yesDante e l'Arte, 2022
A Commedia de Dante Alighieri desde cedo foi objeto de leituras públicas, que acabaram por se ramificar em leituras com algum grau de encenação. A par destas, a Vida e a obra do vate florentino foram também a base para adaptações teatrais, que se ...
Ana Beatriz Andrade
doaj   +1 more source

Adelaide Ristori sublime declamatrice dantesca sulla scena italiana e internazionale del secondo Ottocento

open access: yesDrammaturgia, 2023
This essay examines the presence of Alighieri’s poetry in the repertory and the self-promotion of Adelaide Ristori. During her career the exceptional tragic performer showed a clear interest in recitals where she used to combine excerpts from famous ...
Andrea Simone
doaj   +1 more source

Singing Community in Martin Luther's Kirchenlieder

open access: yesThe German Quarterly, Volume 98, Issue 1, Page 54-70, Winter 2025.
Abstract In this essay, I claim that Martin Luther's Kirchenlieder can be read as Volkslieder, a reading which allows us to account for their function of consolidating identity through communal singing. Luther's songs, I argue, are activated in their being voiced—voice, here, understood in a non‐metaphorical mode, as the material utterance of a singing
Evan Strouss
wiley   +1 more source

Nobile e ignobile simbolismo islamico nella 'Divina Commedia'

open access: yesAnnales Universitatis Paedagogicae Cracoviensis. Studia Historicolitteraria, 2020
Rozpatrując zagadki "Boskiej Komedii", można przyjąć, że kultura muzułmańska była dobrze znana Dantemu, przede wszystkim poprzez dzieła takie jak "Księga Drabiny Mahometa", "Podróże Marco Polo" czy prace Riccolda z Montecroce.
Marino Alberto Balducci
doaj   +1 more source

La Divina Commedia della Socìetas Raffaello Sanzio : un viaggio labirintico nell'"inferno" della contemporaneità [PDF]

open access: yes, 2014
L'argomento di questo saggio è la riscrittura della Divina Commedia proposta nel 2008 dalla Socìetas Raffaello Sanzio, compagnia di teatro sperimentale conosciuta in ambito internazionale per l'estetica postdrammatica e iconoclasta.
Palmeri, Daniela
core   +2 more sources

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