Results 81 to 90 of about 880 (125)

Metamorphoses of a Genre: British and Italian Sound Docudrama in Context and Contemporary Production [PDF]

, 2019
Macchiavelli, Sabina
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Je est un autre : la rencontre docufictive dans le Forget Show et autres essais vidéographiques

Depuis plus de cinq ans, je poursuis une recherche portant sur les fictions sous-jacentes à mon réel et ce, afin d'en faire émerger de nouveaux récits. Situé à la frontière du documentaire et de la fiction, mon travail se base sur une méthode d'autofilmage et de documentation obsessive me permettant d'aborder le monde et de provoquer des situations ...
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Chapter 2. The Difficult Past in Docufiction

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My friend is a WWI soldier: docufictions on social networks

, 2015
Bouko, Catherine, Dondero, Giulia
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Οι γυναίκες της ραπ σκηνής στην Ελλάδα: επαναπροσδιορίζοντας τη θεματολογία των στίχων της hip-hop κουλτούρας μέσα από ένα μουσικό docufiction

, 2023
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Reading the docufiction script: Harnessing the thin line between facts and fiction

Journal of Screenwriting, 2022
The ethical issues raised by merging facts and fiction in docufiction screenplays as a genre suitable for social impact storytelling still linger. Hence, for the intended message to be effectively passed, the genre, formatting and narrative technique have to be clearly established for the readership’s consumption.
John Iwuh, Nicodemus Adai Patrick
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Drama as Docufiction

Canadian Theatre Review, 1998
Leila Sujir interviewed by Sarah Murphy with excerpts from Leila Sujir’s The Dreams of the Night Cleaners Murphy: In The Dreams of the Nightcleaners, your docufictive approach to your material - the combination of document, drama, fiction and fantasy in a multilayered fantasy - yields an extraordinarily rich and complex final product.
Sarah Murphy
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Negotiating Filmmaking: Adaptation, Location and Docufiction

Refocus, 2020
Chapter 2 contextualises Pedro Costa’s transition from a young director working within the constraints of Portuguese national cinema to an emergent European filmmaker enjoying a more efficient and substantial co-production framework. It traces Costa’s authorship and production processes of Casa de Lava (1994) and Bones (1997).
Nuno Barradas Jorge
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Reading docufiction: Jia Zhangke's24 City

Journal of Chinese Cinemas, 2014
Jia Zhangke's 24 City (2008) combines the work of professional actors with interviews of actual Chinese state employees to create a blended genre that illustrates changing economic fortunes in the 21st century. Through the medium of a new, hybrid filmic language, Jia articulates his concerns about the limitations of postsocialist realism and ...
Hsiu-Chuang Deppman
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Le documentaire historique au péril du « docufiction »

Vingtième Siècle. Revue d'histoire, 2005
Résumé Alors que le documentaire historique était cantonné sur les chaînes thématiques du câble et du satellite ou programmé entre minuit et cinq heures du matin sur les grandes chaînes hertziennes, il fait, à en croire les médias, un spectaculaire retour aux heures de grande écoute sous l’appellation de « docudrama » ou de « docufiction ».
F. Garçon
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