Results 111 to 120 of about 1,711 (143)

Brecht e Lars Von Trier: hibridismo e anti-ilusionismo em Dogville (2003)

REVISTA ELETRÔNICA EXTENSÃO EM DEBATE, 2014
A proposta do presente artigo é refletir acerca da herança brechtiana no cinema contemporâneo, através da análise do filme Dogville (2003), do cineasta dinamarquês Lars Von Trier.
O. Cabral, Ana Flávia Ferraz
semanticscholar   +1 more source

DIAKONIA Filmtipp: Dogville

1970
Diakonia, Bd. 35 Nr.
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Dogville: Destruction is Architectural

This article is on the architectural discussion of a four-fold portrayal of Lars von Trier’s film Dogville. The film is about a lonely woman’s refuge in a middle-ofnowhere American town and how the town community turns her into a slave. The film was shot in a dark hangar and has a single stage that is only decorated with chalk lines.
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Film as Phantasm: Dogville’s Cinematic Re-evaluation of Values

The Films of Lars von Trier and Philosophy, 2019
Rebecca A. Longtin
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Dogville. Della mancata redenzione

2008
Questo scritto è in realtà un saggio filosofico, ispirato da un film - appunto Dogville - che più di molti altri riesce a generare una serie di interrogativi fondamentali. Dogville chiama da subito lo spettatore a riflettere su quanto vede: questioni politiche, morali, religiose, legate al diritto ed estetiche si intrecciano traendo una dall’altra ...
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Ο ξένος στον κινηματογράφο : η περίπτωση Dogville

2012
Διπλωματική εργασία - Πάντειο Πανεπιστήμιο.
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Welcome as House Arrest in Lars von Trier’s Dogville

, 2018
A. Bida
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Landscapes and Aporias in Lars von Trier’s Dogville

2014
Dogville is unlike any of the other pieces analysed in this book in that it is not a live performance or a piece of theatre, but a film. Thus the balance between the dimension of the theatrical live performance and the cinematic becomes wholly contained within the film medium. There are no aisthetic effects in Dogville as such and the post-cinematic is
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Postmodernistička poetika filma Dogville Larsa von Triera

Suvremena pitanja, 2012
U radu se pristupilo analizi igranoga filma Dogville (2003.), odnosno potvrđivanju primjene epskih teoretskih načela na film uočavajući postmodernistički dijalog starijega i novijega medija. U prilogu se određuje postmodernistička poetika, odnosno determiniraju se oblici inspiracije danskoga redatelja Larsa von Triera u odnosu na Bertolta Brechta kako ...
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BEDEN SİNEMA: LARS VON TRIER'NİN "DOGVILLE" VE YORGOS LANTHIMOS'UN "DOGTOOTH" FİLMLERİNDE EDİMSELLİK POLİTİKASI

, 2018
Yasemin Kılınçarslan
semanticscholar   +1 more source