Results 81 to 90 of about 80,353 (265)

Neue Slowenische Kunst in misel kot središče avantgardnosti

Amfiteater
Pojmovanje središča in obrobja v kulturi je podložno historičnim spremembam in v tem procesu tudi samo, namesto da bi bilo monolitno paradigmizirano, postaja kompleks pomnožene mnogoobraznosti.
Lela Angela Mršek Bajda
doaj   +1 more source

Gothic Opera in Britain and France: Genre, Nationalism, and Trans-Cultural Angst [PDF]

, 2004
Rescue operas developed along two somewhat different lines: “tyrant” operas and “humanitarian” operas within the general category of “opera semiseria,” or “opéra comique.” The first type corresponds to the conservative British “loyalty gothic,” with its ...
Cordova, Sarah Davies, Hoeveler, Diane
core   +2 more sources

Creating Change: Art Activism and Leadership Development

New Directions for Student Leadership, Volume 2025, Issue 185, Page 61-65, Spring 2025.
ABSTRACT This article advocates the inclusion of the arts, and specifically, art activism, as a beneficial pedagogical approach to leadership development. Focus is given to using examples of art activism to introduce the student leader activist identity continuum (SLAIC), the exploration of leadership identity, and situating activism as transformative ...
Jessica A. Cruz, Leighton E. Vermont, Sally R. Watkins   +2 more
wiley   +1 more source

Avantgardne sledi v scenografijah Vasilija Uljaniščeva na Slovenskem v letih 1930–1934

Amfiteater
Razprava bo zajela zadnja štiri leta delovanja scenografa Vasilija Mitrofanoviča Uljaniščeva (1887–1934). Leta 1930 se je Uljaniščev namreč zaposlil v Narodnem gledališču v Ljubljani in na dramskem ter opernem odru deloval vse do smrti.
Ana Kocjančič
doaj   +1 more source

Fiscal grievance politics: wealth taxation and master‐race democracy in post‐coup Bolivia Politique des griefs fiscaux : impôt sur la fortune et démocratie de la race maîtresse en Bolivie post‐coup d’État

Journal of the Royal Anthropological Institute, EarlyView.
This article analyses a new wealth tax (the IGF) in Bolivia against the backdrop of the 2019 ousting of former president Evo Morales. In doing so, it engages calls for ‘a return to politics’ in anthropology by proposing the notion of a ‘fiscal grievance politics’ as animating elite opposition to the tax in lowland Santa Cruz department. I show that the
Charles Dolph
wiley   +1 more source

Kritične uprizoritvene prakse od neoavantgarde in postavantgarde do političnega postpostdramskega gledališča 21. stoletja

Amfiteater
Razprava analizira štiri ključne cikle revolucioniranja razmerja med mainstreamom in eksperimentalnim gledališčem v Sloveniji in bivši Jugoslaviji: neoavantgardo in neomodernizem sedemdesetih, politično gledališče osemdesetih, post- in retroavantgarde ...
Tomaž Toporišič
doaj   +1 more source

The celestial city brought down to earth : Dmitrij Cernákov's interpretation of Rimskij-Korsakov's opera the invisible city of Kitež and the Maiden Fevronia [PDF]

, 2017
Rimsky-Korsakov's penultimate opera is tied to the symbolist movement in fin de siècle Russia. Although the composer did not intend it as a mystical work in the wake of Wagner's Parsifal, his symbolist collaborators invested much symbolist thinking in ...
Maes, Francis
core  

Shameful or shameless? Anxieties about mothers and women's autonomy on the Central African Copperbelt, 1956–1964

Gender &History, EarlyView.
Abstract This article deals with anxiety about and the shaming of modern urban mothers and wives on the mines of the late colonial Central African Copperbelt. Women's various labours and public presence lead to ambivalent depictions, such as the ‘careless mother’, that were part of a broader array of anxieties about women's autonomy on the mines ...
Stephanie Lämmert
wiley   +1 more source

Peter Božič in vprašanje avtentične gledališke avantgarde v Sloveniji v drugi polovici 20. stoletja

Amfiteater
Peter Božič je bil slovenski dramatik, čigar najpomembnejše igre so nastale na začetku njegove kariere, med letoma 1955 in 1961. To pisanje je močno povezano z Odrom 57, ki je predstavljal opozicijo takrat prevladujočemu slogu socialističnega realizma v
Gašper Troha
doaj   +1 more source

‘Expression is power’: Gender, residual culture and political aspiration at the Cumnock School of Oratory, 1870–1900

Gender &History, EarlyView.
Abstract This article investigates the ways in which late‐nineteenth‐century students at Northwestern University's Cumnock School of Oratory mobilised elocution training and parlour performance to foster mixed‐gender public discourse. I use student publications to reconstruct parlour meetings in which women and men adapted traditions of conversational ...
Fiona Maxwell
wiley   +1 more source