Results 31 to 40 of about 391 (111)

Conversioni religiose in Calderón de la Barca: ‘El gran príncipe de Fez’ (1669)

Drammaturgia, 2020
El gran príncipe de Fez (1669), one of the less studied works by the great playwright Calderón de la Barca, deals with the theme of religious conversions in the Early Modern Mediterranean through the story of Muhammad el-Attaz, prince of Fez, who ...
Emanuele Colombo
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Il punto sul mondo degli attori del Siglo de Oro

Drammaturgia, 2016
In Spain exists a rich documentary and bibliographic patrimony about the activities of players and acting companies in the Golden Century. This essay offers an update historiographic overview and highlights the progress allowed by the new technologies ...
Teresa Ferrer Valls
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Alessandro Vincenzo Duse

Drammaturgia
The third son of Luigi, Alessandro (or Vincenzo) is best remembered as the father of Eleonora. Starting his career as a young and unbright primo attore, he becomes a brillante, a caratterista, and finally a generico working with his daughter.
Paolo Albonetti
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Francesco Saverio Bartoli

Drammaturgia, 2017
A modestly talented actor and playwright, Bartoli acted with his wife Teodora Medebach in the theatre company directed by Antonio Sacco from 1771 to 1777. Sick with tuberculosis, he precociously retired from the stage to become a bookseller. He is renown
Leonardo Spinelli
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Adelaide Ristori cantante

Drammaturgia
For a long time, studies on Adelaide Ristori have been interested in her life, her success and her importance for the Italian theater. On the other hand, the musical interests of the noblewoman were less studied; however, music had a fundamental role in ...
Davide Mingozzi
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Prospero Fontana pittore-scenografo a Bologna (1543)

Drammaturgia, 2014
In early 1543 the lost play, I Vecchi, a multi-authored drama by the Affumati, was staged in the convent of Servi di Maria in Bologna. The reconstruction of that performance is based on a careful study of the little-known contract between Prospero ...
Lorena Vallieri
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Le carte cantano. La musica nel Fondo Adelaide Ristori al Museo Biblioteca dell’Attore di Genova

Drammaturgia
This essay aims at proposing a map of the relationship between Adelaid Ristori and music, as it emerges from consulting the Adelaide Ristori Archive at the Museo Biblioteca dell’Attore in Genoa.
Raffaele Mellace
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Il fondo Adelaide Ristori al Museo Biblioteca dell’Attore di Genova

Drammaturgia
The Adelaide Ristori Archive has been kept at the Museo Biblioteca dell’Attore in Genoa since 1967, after the donation of Irma Castren Capranica del Grillo.
Donatella Mezzani
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Sul ‘Prometeo incatenato’. Tragedia dello sguardo e anatomie del tempo: considerazioni di regia

Drammaturgia, 2014
The essay aims at showing the development of the critical thought about Prometheus Bound that underlied the staging of this tragedy at the Teatro Greco of Siracusa during the spring of 2012.
Claudio Longhi
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«Caterina Bresciani, chi era costei?». Tragicommedia in tre atti con un prologo e un epilogo

Drammaturgia, 2014
The paper presents the synthetic review of an investigation on the figure of the most important Goldonian actress; at the same time, it tries to outline a methodological and critical framework for any research involving comedians with whom the Goldonian ...
Anna Scannapieco
doaj