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Effect of Amorphous TiO<sub>2</sub> Nanoparticles on the Crystalline Structure and Functional Properties of P(VDF-TFE) Nanocomposites. [PDF]
Vodyashkin AA +4 more
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Processing-Enhanced β-Phase Formation in BaTiO<sub>3</sub>/PVDF Composite Fibers with High Electroactive Phase Content. [PDF]
Ouali MB +4 more
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Digital twins for lifespan prediction of used storage racks. [PDF]
Bi Z, Mueller D, Chen B, Luo C, Li M.
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Graph drawing by force-directed placement
Software - Practice and Experience, 1991AbstractWe present a modification of the spring‐embedder model of Eades [Congressus Numerantium, 42, 149–160, (1984)] for drawing undirected graphs with straight edges. Our heuristic strives for uniform edge lengths, and we develop it in analogy to forces in natural systems, for a simple, elegant, conceptually‐intuitive, and efficient algorithm.
Edward Reingold
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The Physics Teacher, 1998
A force diagram can be a “forceful” way to quickly get insight into a problem and prospects for a solution. A rigid application of some trivial rules can make a force diagram a more forceful tool.
Ed van den Berg, Cor van Huis
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A force diagram can be a “forceful” way to quickly get insight into a problem and prospects for a solution. A rigid application of some trivial rules can make a force diagram a more forceful tool.
Ed van den Berg, Cor van Huis
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A force-controlled portrait drawing robot
2015 IEEE International Conference on Industrial Technology (ICIT), 2015There has been a lot of research in recreational uses of robots. A robot drawing the portrait of a human face is one such famous task. This makes the robot behavior more human-like and entertaining. There have been several demonstrations of portrait drawing robots in past few years.
Shubham Jain +3 more
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Hypergraph Drawing by Force-Directed Placement
2017We propose a family of algorithms that transform a hypergraph drawing problem into a graph drawing problem and leverage force-directed graph drawing algorithms in order to draw hypergraphs. We propose and discuss a number of criteria to evaluate the quality of the drawings from the points of view of aesthetics and of visualization and analytics.
Naheed Anjum Arafat, Stéphane Bressan
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