Musical Collaboration in Rhythmic Improvisation
Despite our intimate relationship with music in every-day life, we know little about how people create music. A particularly elusive area of study entails the spontaneous collaborative musical creation in the absence of rehearsals or scripts. Toward this
Shinnosuke Nakayama+2 more
doaj +1 more source
Grup Musik Kua Etnika Sebagai Musik Etnik Pada Tahun 1997 – 2019 [PDF]
Kua Etnika music group is an ethnic music group that combines elements of traditional musical instruments with modern musical instruments. This music group faces new challenges that affect its existence along with the development of music dynamics in ...
Liana, Corry, Tiara Putri, Riza
core +1 more source
Deep Music Information Dynamics [PDF]
Music comprises of a set of complex simultaneous events organized in time. In this paper we introduce a novel framework that we call Deep Musical Information Dynamics, which combines two parallel streams - a low rate latent representation stream that is assumed to capture the dynamics of a thought process contrasted with a higher rate information ...
arxiv
One's own soundtrack: Affective music synthesis [PDF]
Computer music usually sounds mechanical; hence, if musicality and music expression of virtual actors could be enhanced according to the user's mood, the quality of experience would be amplified. We present a solution that is based on improvisation using
Fuschi, D, Khan, A
core
Dynamic Functional Connectivity in the Musical Brain [PDF]
Musical training causes structural and functional changes in the brain due to its sensory-motor demands. This leads to differences in how musicians perceive and process music as compared to non-musicians, thereby providing insights into brain adaptations and plasticity.
Niranjan, Dipankar+3 more
openaire +3 more sources
ChoreoGraph: Music-conditioned Automatic Dance Choreography over a Style and Tempo Consistent Dynamic Graph [PDF]
To generate dance that temporally and aesthetically matches the music is a challenging problem, as the following factors need to be considered. First, the aesthetic styles and messages conveyed by the motion and music should be consistent. Second, the beats of the generated motion should be locally aligned to the musical features.
arxiv
The periodic repolarization dynamics index identifies changes in ventricular repolarization oscillations associated with music-induced emotions [PDF]
The effect of music on cardiovascular dynamics may be useful in a variety of clinical settings. The aim of this study was to assess whether listening to music characterized by different emotional valence affected ventricular periodic repolarization ...
Cerruto, G+3 more
core +1 more source
Ride N' Rhythm, Bike as an Embodied Musical Instrument to Improve Music Perception for Young Children [PDF]
Music plays a crucial role in young children's development. Current research lacks the design of an interactive system for younger children that could generate dynamic music change in response to the children's body movement. In this paper, we present the design of bike as an embodied musical instrument for young children 2-5 years old to improve their
arxiv
A Case Study: Rome's Orchestra di Piazza Vittorio and the Social Function of Music
The research presented here is based on studies of the sociology of music, as well as on analyses of the dynamics of immigration. This explored some of the social dynamics and actions of a multi-ethnic orchestra founded and operating in Rome. The purpose
Milena Gammaitoni
doaj +1 more source
Learning Style-Aware Symbolic Music Representations by Adversarial Autoencoders [PDF]
We address the challenging open problem of learning an effective latent space for symbolic music data in generative music modeling. We focus on leveraging adversarial regularization as a flexible and natural mean to imbue variational autoencoders with context information concerning music genre and style. Through the paper, we show how Gaussian mixtures
arxiv