Patient-reported outcomes, postoperative pain and pain relief after day-case surgery (POPPY): baseline data from day surgery practice in the UK. [PDF]
AnaesthesiaSummary Introduction Most patients undergoing elective surgery in the UK are discharged from hospital on the same day. Despite this, there is a lack of UK patient‐centred outcome measures relating to quality of recovery, pain and analgesic use. The POPPY study was a UK‐wide prospective, observational study measuring short‐ and longer‐term patient ...
Belete M +9 more
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Patient-reported outcomes, postoperative pain and pain relief after day-case surgery (POPPY): chronic post-surgical pain prevalence and associations. [PDF]
AnaesthesiaSummary Introduction Day‐case surgical activity is increasing in the UK yet there is a lack of data on the prevalence of chronic post‐surgical pain in this population. This study uses data from the POPPY study to estimate the prevalence of chronic post‐surgical pain after day‐case surgery, its relationship with quality of life and also explores ...
Brayne AB +9 more
europepmc +2 more sources
A Note On Sanity In Stage Productions Of Shakespearean Plays [PDF]
, 2017 A previously unpublished essay by Edward Gordon Craig which elucidates his ideas about the “right” way to produce Shakespeare.
Le Boeuf, Patrick
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Contents - Edward Gordon Craig Special Issue 2017 [PDF]
, 2017 Cover, front matter, and contents for Mime Journal Special Issue, Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig.
Buckley, Jennifer A, Holt, Anne
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Edward Gordon Craig, Étienne Decroux, and the Rediscovery of Mime [PDF]
, 2017 In this edited transcription of his remarks at the 2013 Pomona College (California) conference “Action, Scene and Voice,” Harvey Grossman elucidates the theory and practice of his two most important teachers: Edward Gordon Craig and Étienne Decroux ...
Grossman, Harvey
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Taniec dla teatru przyszłości: Czytając Isadorę Duncan
Pamiętnik Teatralny, 2021 The author analyzes Isadora Duncan’s ideas expressed in her lecture “The Dance of the Future,” setting them against the backdrop of the manifestos and concepts of Adolphe Appia, Edward Gordon Craig, and Konstantin Stanislavsky, who shared her interests ...
Monika Kwaśniewska
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Projections de la mort. Sur deux mises en scène de Denis Marleau [PDF]
, 2005 Afin de résoudre l’impasse rencontrée par le praticien de théâtre qui doit représenter l’invisible de manière crédible, c’est-à-dire sans procéder à la simple incarnation, Edward Gordon Craig propose d’avoir ...
Jacques, Hélène
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La muerte animada. Edward Gordon Craig y la visualidad del teatro de lo inanimado
Telondefondo : Revista de Teoría y Crítica Teatral, 2011 El teatro de objetos explicita la íntima relación entre el teatro y la muerte, donde cuestiones arquetípicas y primitivas conviven con vanguardismos creando interfaces con diversas vertientes y lenguajes artísticos.
Almir Ribeiro
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L’École de l’Arena Goldoni, ou la difficile invention d’un laboratoire [PDF]
, 2005 De 1903 à 1914, Edward Gordon Craig multiplie les plans et les projets d’écoles : école des artisans du théâtre, école du metteur en scène, école expérimentale, école totalisatrice. Tous ces modèles tendent vers la
Warnet, Jean-Manuel
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Des passions monumentales à l’âge de l’idéologie : Edward Gordon Craig et Norman Bel Geddes [PDF]
, 2005 Durant toute leur carrière, Craig and Bel Geddes ont été préoccupés par un immense projet. Celui de Craig était la Passion selon saint Matthieu de Bach, tandis que pour Bel Geddes, c’était La divine ...
Innes, Christopher
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