Results 51 to 60 of about 115,514 (211)

Il teatro come forma che pensa. Pregiudizio antiteatrale, materialità e abiezione nella scena postdrammatica

Itinera, 2013
If one turns to the source of the so-called antitheatrical prejudice, Plato, and explores beside his notorious critics to the arts also his statements about the spectatorship, something intriguing appears.
Annalisa Sacchi
doaj   +1 more source

Editors\u27 Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig [PDF]

, 2017
A roadmap to this Special Issue of Mime Journal. This issue emphasizes the tissue of influences that shaped Craig’s own work and continue to impact contemporary theater and performance.
Buckley, Jennifer A, Holt, Anne
core   +1 more source

Speaking Looks: A Conversation About Costume With Edward Gordon Craig, Léon Bakst, And Pablo Picasso [PDF]

, 2017
Holt focuses on Craig’s influential stage designs in relation to the performing body. Through costume design, Holt rethinks Craig’s relationship with the designs of the Ballets Russes, placing him in context with the experimentations of his ...
Holt, Annie
core   +3 more sources

Pedagogical Reforms in School Science Education for Mitigating Damaging Misinformation in a “Post‐Truth” World

Educational Theory, Volume 75, Issue 5, Page 865-890, October 2025.
Abstract The modern day is known as the “post‐truth” era, characterized by the widespread dissemination of false information, as well as personal opinions and emotions taking precedence over established facts in public decision‐making. For students, as future democratically engaged citizens, to make well‐informed science‐based decisions on matters of ...
Owen Towler
wiley   +1 more source

Edward Gordon Craig e o Teatro para Bobos: retrato de um encenador como autor cômico

Revista Brasileira de Estudos da Presença, 2014
Durante a Primeira Guerra Mundial, o encenador Edward Gordon Craig escreveu um ciclo de comédias para marionetes, Teatro para Bobos, que permanecerá inacabado. Esse aspecto de sua obra foi, por muito tempo, negligenciado pela maioria dos críticos devido
Didier Plassard (Universidade Paul Valéry Montpellier III, Montpellier, França)
doaj  

Undergraduate & Graduate Commencement Exercises Program, May 18, 1974. [PDF]

, 1974
Bryant University Undergraduate & Graduate Commencement Exercises Program, May 18 ...

core   +1 more source

‘In the Manner of the Ancient Jewish Historians’: Parody and Satire, Panegyric and Censure in Eighteenth‐Century Mock Chronicles

Journal for Eighteenth-Century Studies, Volume 48, Issue 3, Page 233-257, September 2025.
Abstract In mid‐eighteenth‐century Europe, anonymous authors produced parodic satires masquerading as earnest exemplars of the chronicle form. Couched in an antiquated, quasi‐biblical register, these mock chronicles drew flimsily fictional portraits of modern life.
Zachary Garber
wiley   +1 more source

UMA PEDAGOGIA TEATRAL VELADA: A ÜBER-MARIONETTE DE GORDON CRAIG

Cena, 2013
O caráter pedagógico do pensamento de Gordon Craig não é um aspecto explícito de sua obra de um modo geral, que parece preferir debruçar-se sobre questões estéticas e de redefinição do que seja a própria linguagem da arte do teatro.
Almir Ribeiro
doaj  

Dwie drogi – wspólna wizja: Hugo von Hofmannsthal i Edward Gordon Craig

Pamiętnik Teatralny
Artykuł poświęcony jest relacjom Hugona von Hofmannsthala i Edwarda Gordona Craiga. Miała ich połączyć współpraca, po której wiele sobie obiecywał Harry Graf Kessler, miłośnik rozwiązań formalnych i wizji artystycznych obu twórców.
Dorota Kownacka-Rogulska
doaj   +1 more source

Theatres of War: Inspirations

British Art Studies, 2019
Maxwell Armfield’s “pictorial commentary” on The Ballet of the Nations relates only loosely to Vernon Lee’s text. Its real subject is rather the plays that he was producing with his own theatre company at around the same time, and the wider culture of ...
Grace Brockington
doaj   +1 more source