Results 21 to 30 of about 5,004 (182)

Poincaré series for modular graph forms at depth two. Part I. Seeds and Laplace systems

open access: yesJournal of High Energy Physics, 2022
We derive new Poincaré-series representations for infinite families of non-holomorphic modular invariant functions that include modular graph forms as they appear in the low-energy expansion of closed-string scattering amplitudes at genus one.
Daniele Dorigoni   +2 more
doaj   +1 more source

Serguei no México: Greenaway e a representação pós-moderna do artista Queer

open access: yesIlha do Desterro, 2017
Em seu filme Que viva Eisenstein! (2016), o diretor britânico Peter Greenaway homenageia a figura de um importante pioneiro da linguagem cinematográfica, Serguei Eisenstein, centrando a narrativa na passagem do cineasta soviético pelo México.
Andrei dos Santos Cunha   +1 more
doaj   +1 more source

Poincaré series for modular graph forms at depth two. Part II. Iterated integrals of cusp forms

open access: yesJournal of High Energy Physics, 2022
We continue the analysis of modular invariant functions, subject to inhomogeneous Laplace eigenvalue equations, that were determined in terms of Poincaré series in a companion paper. The source term of the Laplace equation is a product of (derivatives of)
Daniele Dorigoni   +2 more
doaj   +1 more source

On Eisenstein Primes

open access: yesIntegers, 2016
See the abstract in the attached pdf.
openaire   +5 more sources

La plasmaticidad eisensteiniana. ¿Pasado, o presente o todo lo contrario?

open access: yesCon A de Animación, 2023
Tras una visita a los estudios de Disney en 1930, Sergei Eisenstein escribió varios textos sobre una característica que detectó en el cine de animación del momento: la plasmaticidad (Plasmaticness).
Maria Pagès Rovira, Marina Rof Cabezas
doaj   +1 more source

FILM EDITING AS A SYSTEM: FROM THEORY TO REAL PRACTICE [PDF]

open access: yesStudiul Artelor şi Culturologie: Istorie, Teorie, Practică, 2018
Since the 1920’s there have been two ways of considering film editing: first, as a basic set of rules of putting fragments of film together (Lev Kuleshov) and, second, film editing as means of film directing (Dziga Vertov, Vsevolod Pudovkin, Sergei ...
KAMINSKI ANDREI
doaj  

Corrections to “The Eisenstein constant”

open access: yesDuke Mathematical Journal, 1994
The authors correct their article [Duke Math. J. 65, No. 1, 23-43 (1992; Zbl 0770.11051)]. In section 1, the estimation \(| D_ \mu |_ \infty \leq \mu^ n (2n-1)\)! \(H^{2n-1}\) should be corrected by replacing \(H\) by \(H(1+m)\). In section 2 (page 31, line 10), the inclusion \(W_{| P |^ c} \subset U_ c\) is not correct.
Dwork, Bernard M.   +1 more
openaire   +3 more sources

Ensaios sobre Eisenstein - Eisenstein e o herói

open access: yesLiteratura e Sociedade, 2002
nulo
Paulo Emilio Sales Gomes
doaj   +1 more source

O clássico e o moderno

open access: yesAlbuquerque, 2020
Trata-se de analisar dois ensaios produzidos pelo crítico e historiador Paulo Emílio Sales Gomes sobre os cineastas Serguei Eisenstein e Orson Welles. Publicados na segunda metade de 1950 no Suplemento Literário do jornal O Estado de S. Paulo, os ensaios
Rafael Zanatto
doaj   +1 more source

El nacimiento de ¡que Viva México! de Serguei Eisenstein: conjeturas

open access: yesAnales del Instituto de Investigaciones Estéticas, 2012
El artículo intenta mostrar la génesis de la idea de la película que el director de cine soviético Serguei Eisenstein filmó en México durante el periodo que va de 1930 a 1932, y que jamás concluyó, a partir de las revistas alemanas ...
Aurelio De los Reyes
doaj   +1 more source

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