Results 31 to 40 of about 333,092 (142)
Blog: Review of: Uwe Fleckner and Peter Mack, The Afterlife of the Kulturwissenschaftliche Bibliothek Warburg: Volume 12 (Vortrage Aus Dem Warburg-Haus), Berlin/Boston: De Gruyter 2015 [PDF]
Journal of Art Historiography, 2016 This volume celebrates the eightieth anniversary of the Warburg Library’s transportation from its home in Hamburg to London covering the years from its move to the late fifties when Ernst Gombrich published Art and Illusion.
Richard Woodfield
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Uluslararası Müze Eğitimi Dergisi, 2023 Ernst Hans Josef Gombrich (30 Mart 1909-3 Kasım 2001), Viyana Üniversitesi’ndeki sanat tarihi eğitiminden sonra 1936’da İngiltere’de Warburg Enstitüsü'de arastırma görevlisi oldu.
Bahri Ata
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Betekenis en betekeniskonstruksie in beeldkommunikasie
Communicare, 2022 IN this article the author deals with certain arguments by the art philosopher historian Ernst Gombrich on the perception of images. The central argument is that the human being does not perceive (look at) reality with an innocent eye, but his outlook ...
Pieter Jacobus Fourie
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PAINTING HISTORY: PICTURE, WITNESS, AND ANCIENT HISTORIOGRAPHY
History and Theory, Volume 63, Issue 3, Page 403-431, September 2024.ABSTRACT This article treats an analogy that is used persistently in the history of historiography: the equation of historiography with painting and the identification of the historiographer with the painter. In examining the conceptual stakes of this (auto)identification, the article mobilizes the analogy in order to explore larger issues of ...
LUUK DE BOER
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, 1991 Gombrich Ernst, Bouniort Jeanne. Un témoignage personnel. In: Revue de l'Art, 1991, n°93. pp.
Gombrich, Ernst, Bouniort, Jeanne
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VALIDATING HISTORICAL INTERPRETATIONS: AN APPROACH FROM CULTURAL ANTHROPOLOGY
History and Theory, Volume 63, Issue 3, Page 384-402, September 2024.ABSTRACT Historians and anthropologists share a common problem of setting criteria for the validation of their interpretations. While many features are shared and explicit—for example, that a full range of data needs to be considered and that information should be reliably sourced—the actual criteria for assessing supportable interpretations are ...
LAWRENCE ROSEN
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‘Aby Warburg, Homo victor’ [A translation (back into English, and with some revisions) of the article that appeared in French: ‘Aby Warburg, Homo victor’, in Cahiers du Musée national d’art moderne 118, 2011/12, 81-101] [PDF]
Journal of Art Historiography, 2014 This essay reflects on the reception of Aby Warburg’s writings in the last several decades. A common theme of the recent literature is that Warburg was misunderstood or misread by the scholars who looked after the library and the legacy in London, in ...
Christopher S. Wood
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Palíndromo, 2018 O artigo analisa a relação entre a cultura cristã e a forma perspectiva na obra de Masaccio no primeiro Renascimento, a partir de uma interpretação do historiador italiano Giulio Carlo Argan.
João Cícero Teixeira Bezerra
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Modern Theology, Volume 40, Issue 1, Page 97-109, January 2024.Abstract This article interrogates the role of the human imagination in ordinary perception and orientation, in encounters with art, and in practices of faith. Philosophers and psychologists have long argued that perception is irreducibly imaginative, in the sense that to perceive intelligibly is, in part, to integrate sensory data into forms or wholes
Judith Wolfe
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Arte y expresión en el pensamiento de E. H. Gombrich. – Art and expression in Gombrich’s thought
Panta rei, 2014 The following work looks through the main ideas that the great art historian, Ernst H. Gombrich created about the theory of artistic expression. Having always in mind his formation and influences, as the School of Vienna, Karl Popper and Ernst Kris, we ...
Castiñeyra Fernández, Patricia
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