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Musicology Today, 2018 Folklorism is presented as a component of culture change. The aim of the article is to show how ethno- and musicologists, folklorists, music teachers, broadcasters, and others, have influenced traditional peasant culture in times of fundamental ...
Dahlig Piotr
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Some Thoughts about Professional Fields of Ethnomusicologists in Museums
Asian-European Music Research Journal, 2020 This is a short essay introducing some thoughts the professional fields of ethnomusicologists working within an ethnographic museum. It is of utmost importance to consider the growing responsibility of any kind of musicologists in the context of a wider ...
Lewy, Matthias
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Benjamin Rajeczky the Ethnomusicologist [PDF]
Studia Musicologica Academiae Scientiarum Hungaricae, 2001 Benjamin Rajeczky's research covers Gregorian chant and folk music.The long ist of his books and studies, the publications he edited and the reviews he wrote provide conclusive evidence of the wide range of his interests in both spheres.
Lujza Tari
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The Ethnomusicologist and the Transmission of Tradition [PDF]
Journal of Musicology, 1996 Most ethnomusicological discussions of the transmission of tradition attempt to document and interpret the manner in which music is communicated over time within a particular setting, giving attention to both the interpersonal dynamics and communication technologies of these processes.2 However, I will focus my inquiry neither on the native carriers of
Kay Kaufman Shelemay
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Still an Ethnomusicologist (for Now) [PDF]
Journal of Musicology, 2020 This response defends ethnomusicology against Amico’s call for its end, even as the “ethno-” prefix has already become optional in certain contexts. Addressing Amico’s critiques of gender, repertoire, method, and colonialism, the response argues that ethnomusicologists are thinking creatively about the same set of issues raised by Amico and rejects the
Anna Schultz
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‘You are part of the club’: negotiating the field as a musician–ethnomusicologist [PDF]
Ethnomusicology Forum, 2022 This article explores the position of ethnomusicologists approaching the field with the prior lived experience of being a working/ competent musician, meeting other fellow musicians in all the complexity of each person’s multi-layered background. Within these layers, musical practice and the experience of musicking are central to the relationships ...
Cassandre Balosso-Bardin
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Coronavirus: lessons from Xinjiang. [PDF]
Soc Anthropol, 2020 Social Anthropology, Volume 28, Issue 2, Page 320-322, May 2020.
McMurray J.
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Urban music from Kosovo and Metohija in the researches of Serbian ethnomusicologists up to the second half of the twentieth century [PDF]
Glasnik Etnografskog Instituta SANU, 2013 Folk music of Serbs from Kosovo and Metohija is considered to be archaic in popular discourse. From the scientific side, that is supported by the ethnomusicological printed and sound recordings, which are one of the first sources about Serbian ...
Dumnić Marija
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Lost Lineages and Neglected Peers: Ethnomusicologists outside Academia [PDF]
Ethnomusicology, 2006 Anthony Seeger
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From ethnomusicologist to composer. Sándor Veress and the Moldavian Collection [PDF]
Artes. Journal of Musicology, 2020 Abstract As a student of Zoltán Kodály and Béla Bartók, but also a close collaborator of László Lajtha at the Hungarian Ethnographic Museum in Budapest, and later of Béla Bartók at Folk Department of the Hungarian Academy of Science, Sándor Veress followed the path of his masters regarding the relation with folklore music.
Ioana Baalbaki
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