Group singing is globally dominant and associated with social context. [PDF]
Shilton D, Passmore S, Savage PE.
europepmc +1 more source
The (Co)Evolution of Language and Music Under Human Self-Domestication. [PDF]
Benítez-Burraco A, Nikolsky A.
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Testing Tradition: Applied ethnomusicology for social development amongst Ga people in South-East Ghana [PDF]
My research explored the role of ‘applied’ ethnomusicology in communication, culture and development whilst studying Ga people in urban Accra, south-east Ghana, and the dynamic role performance has played in the evolution of Ga society, taking account of
Marshall, Nola
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Music as aposematic signal: predator defense strategies in early human evolution. [PDF]
Jordania J.
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Boston University Chorus and Symphony Orchestra, December 5, 1987 [PDF]
This is the concert program of the Boston University Chorus and Symphony Orchestra performance on Saturday, December 5, 1987 at 8:00 p.m., at the Concert Hall, 855 Commonwealth Avenue.
School of Music, Boston University
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Writing Pop: Contemporary Approaches to Pop(ular) Music Studies [PDF]
A review of Chris Rojek, Pop Music, Pop Culture (Polity, Cambridge, 2011) and Tara Brabazon, Popular Music: Topics, Trends & Trajectories (Sage, London, 2012)
Johnson, Henry
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8. A Musical Friendship: The Correspondence between Mangkunegoro VII and the Ethnomusicologist Jaap Kunst, 1919 to 1940 [PDF]
Madelon Djajadiningrat, Clara Brinkgreve
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Convergent evolution in a large cross-cultural database of musical scales. [PDF]
McBride JM, Passmore S, Tlusty T.
europepmc +1 more source
Welcome to this special issue of Current Musicology on the theme of Black Sound Studies. I’d like to offer my personal thanks to all of our contributors, who offer fresh perspectives at the crossroads of critical race theory and sound studies.
Didier Sylvain
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Automatic comparison of global children’s and adult songs supports a sensorimotor hypothesis for the origin of musical scales [PDF]
Music throughout the world varies greatly, yet some musical features like scale structure display striking crosscultural similarities. Are there musical laws or biological constraints that underlie this diversity?
Fujii, Shina+4 more
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