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Mito y rito dionisíaco en Bacantes de Eurípides : sobre el origen ritual del teatro [PDF]
Napoli, Juan Tobías
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Book Review: Hippocrates’ Oath and Asclepius’ Snake: The Birth of the Medical Profession [PDF]
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Epizelus (Hdt 6.117): A Medical History Critique and Reappraisal. [PDF]
Ford JC.
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F. De Martino y C. Morenilla (coords.), En el umbral de la obra: personajes y situaciones en el prólogo [PDF]
Llagüerri Pubill, Núria
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STATUES, CELIBATES AND GODDESSES IN OVID’S METAMORPHOSES 10 AND EURIPIDES’ HIPPOLYTUS
The Classical journal, 2021:AbstractOvid’s story of Pygmalion contains allusions to the diatribe against women in Euripides’ Hippolytus, particularly Hippolytus’ comparison of a wife to a statue. These allusions underscore shared and unusual attributes of Pygmalion and Hippolytus,
R. Bruzzone
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Classics, 2019
Produced posthumously along with Iphigenia at Aulis and Alcmaeon in Corinth and awarded first prize at the City Dionysia in 405 bce, Euripides’ Bacchae is one of his most well-known and influential tragedies.
Fiona McHardy
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Produced posthumously along with Iphigenia at Aulis and Alcmaeon in Corinth and awarded first prize at the City Dionysia in 405 bce, Euripides’ Bacchae is one of his most well-known and influential tragedies.
Fiona McHardy
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DANCING IN ATHENS, DANCING ON DELOS: SOME PATTERNS OF CHORAL PROJECTION IN EURIPIDES
Greek Literature, 2018For the past two hundred years the role of the tragic chorus as a collective performer of the dance-song in the orchestra has been viewed against the background of tragedy's distant ritual origins, which remain elusive even now.
Albert Henrichs
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