Results 31 to 40 of about 16,244 (164)

‘Who Is Afraid of Fairenesse or Wanton Ladies Appearing in Their Barenesse?’: Laughing at Female Desire in Early Modern English Reception of the Myth of the Trojan War☆

open access: yesRenaissance Studies, Volume 39, Issue 5, Page 612-631, November 2025.
Abstract In early modern England, as part of a broader interrogation of exemplarity, full‐scale works on the Trojan War often subjected the myth’s heroes to humorous scrutiny, whereas the heroines remained surprisingly untouched by comedy. Testifying to the war’s calamities already in antiquity, in the early modern period, the myth’s women acquired a ...
Evgeniia Ganberg
wiley   +1 more source

Tragedia y lírica epinicial: a propósito de Eurípides, HF 673-700 [PDF]

open access: yes, 2017
We can see that the strophic pair points to the characteristics of epinician in a fairly orthodox way. Heracles, in compiling all his exploits, is presented as Ἡρακλῆς ὁ καλλίν ...
Calderón Dorda, Esteban
core   +1 more source

The Development of Museology in 1930s China: Western Influences and Early Reflections

open access: yesCurator: The Museum Journal, Volume 68, Issue 4, Page 656-672, October 2025.
ABSTRACT This article explores the emergence of museology in China during the 1930s, tracing its development through the establishment of the Museums Association of China and the analysis of early publications. It examines the influence of Western concepts on Chinese museum theory and practice, particularly regarding exhibition techniques.
Daphné Sterk
wiley   +1 more source

El relato de mensajero en el Orestes de Eurípides

open access: yesEmerita, 2011
Orestes incluye dos relatos de mensajero, cada uno de ellos situado en cada una de las dos partes en que se puede dividir la tragedia. Ambos son singulares frente a los habituales relatos de mensajero de la escena griega, porque se produce en ellos la ...
M. Carmen Encinas Reguero
doaj   +1 more source

Medea entre a paixón e a razón: as distintas visións da gran heroína tráxica de Eurípides [PDF]

open access: yes, 2013
Traballo Fin de Grao en Filolxía Clásica. Curso 2012-2013Previamente a diseccionar a Medea de Eurípides para coñecer á protagonista da traxedia e afondar no seu carácter, motivacións e razóns, un primeiro bloque temático tratará de servir como un ...
Pedreira Sanjurjo, Iria
core  

‘NICHTS ALS DIE HÖLLENFAHRT DER SELBSTERKÄNNTNIS BAHNT UNS DEN WEG ZUR VERGÖTTERUNG.’ HAMANN'S CONCEPT OF LITERATURE AS SELF‐REFLECTION

open access: yesGerman Life and Letters, Volume 78, Issue 4, Page 413-431, October 2025.
ABSTRACT This article presents a conception of literature as self‐reflection, derived from the writings of Johann Georg Hamann (1730–88). Starting from an intertextual analysis of Hamann's statements on self‐knowledge as a descent into hell that paves the way to divinisation, the article presents Hamann's intertextual writing practice (‘neuer Begriff ...
Anna Żymełka‐Pietrzak
wiley   +1 more source

La máscara y el agón: Eurípides y Nietzsche

open access: yesBrocar. Cuadernos de investigación histórica, 2017
El propósito de este trabajo es estudiar la presencia del trágico griego Eurípides en la obra nietzscheana hasta 1876. El análisis no sólo busca describir las palabras del filósofo alemán en torno a la materia, sino que, también, pretende determinar la ...
Roberto Pastor Cristobal
doaj   +1 more source

Alcestis: el dilema de morir por otro

open access: yesNova Tellus, 2023
Alcestis es una pieza dramática que, entre sus peculiaridades, oscila por su contenido entre la definición de una tragedia y de un drama satírico. Esta característica incide en la materia tratada por Eurípides: la muerte de la protagonista en favor de su
David García Pérez
doaj   +1 more source

La "Medea" de Eurípides: composición triádica y simétrica en función del contenido [PDF]

open access: yes, 2014
Euripides’ tragedy Medea shows a strong tendency to structure the whole work and the individual parts in triads as well as in axial . symmetry. The whole play can be divided into three parts, each one also tripartite, whose distribution is closely ...
Esteban Santos, Alicia
core   +1 more source

Medea: hechicera y madre asesina [PDF]

open access: yes, 2009
Despite the wide range of prominent female characters created by male Greek imagery, finding the figure of the «witch» is not easy. Thus, the character of Medea is the closest to a magician that can be found in Greek mythology.
Madrid, Mercedes
core   +1 more source

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