Results 121 to 130 of about 261 (174)
Euripide et l’imagination aérienne, textes réunis par Jacqueline Assaël
Lucie Thévenet
doaj
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The Classical Review, 2004
Review of K. Zacharia, Converging Truths. Euripides’Ion and the Athenian Quest for Self-Definition (Leiden and Boston 2003). Discussion of historical, philological and interpretive problems in Euripides' Ion, with special reference to the date of the play.
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Review of K. Zacharia, Converging Truths. Euripides’Ion and the Athenian Quest for Self-Definition (Leiden and Boston 2003). Discussion of historical, philological and interpretive problems in Euripides' Ion, with special reference to the date of the play.
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2010
Frederick Apthorp Paley (1815–1888) published Volume 1 of his English commentary on Euripides in 1857. It contains the Greek text of seven of Euripides' most popular plays: Rhesus, Medea, Hippolytus, Alcestis, Heraclidae, Supplices and Troades, each with an introductory essay. Paley's detailed commentary is given at the foot of each page of Greek text.
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Frederick Apthorp Paley (1815–1888) published Volume 1 of his English commentary on Euripides in 1857. It contains the Greek text of seven of Euripides' most popular plays: Rhesus, Medea, Hippolytus, Alcestis, Heraclidae, Supplices and Troades, each with an introductory essay. Paley's detailed commentary is given at the foot of each page of Greek text.
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2016
The paper discusses the interaction and competition between Greek tragedy and historiography, discussing in particular a number of Euripides' fragmentary plays. L'articolo discute l'interazione e la competizione tra i generi letterari della tragedia e della storiografia greca, con particolare attenzione per i drammi frammentari di Euripide.
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The paper discusses the interaction and competition between Greek tragedy and historiography, discussing in particular a number of Euripides' fragmentary plays. L'articolo discute l'interazione e la competizione tra i generi letterari della tragedia e della storiografia greca, con particolare attenzione per i drammi frammentari di Euripide.
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Euripides ‘ Rags , Euripides’ Rags Again
1996Abstract These questions can be answered by one hypothesis: that the rags and cap are taken to represent copies of the Telephus and the other Euripidean plays. It is as if Dicaeopolis were taking away a text (or part of one) of the Telephus; and the other heroes are visible in so far as their names are also the titles of tragedies ...
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Argivi, Persiani o Spartani? Gli Eraclidi di Euripide e le ‘storie intenzionali’ ateniesi
Klio, 2023Luca Valle Salazar
exaly

